| | PUBLISHER
Stellan Holm GalleryBOOK FORMAT
Hardcover, 9.75 x 10.5 in. / 45 pgs / 26 color / 4 bw PUBLISHING STATUS
Pub Date 2/2/2002
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2002 PRODUCT DETAILS
ISBN 9780971168701 TRADE
List Price: $45.00 CAD $55.00 AVAILABILITY
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| | | STELLAN HOLM GALLERYAndy Warhol: Little Electric Chair PaintingsEssays by Peter Halley, Gerard Malanga.
People go by and it doesn't matter that someone was killed. I still care about people, but it would be so much easier not to care, it's too hard to care. --Andy Warhol News and death fascinated Warhol, and nowhere is this more uncomfortably reflected than in his paintings of electric chairs. Part of his "Death and Disaster" series, these works borrow from the eye-catching style of tabloid journalism to reflect on the clash of dreams and violence that suffused 60s America. Using photographs collected from various media sources, imagery often deemed too upsetting for the front page, Warhol compels us to look more closely at our own voyeurism and our response and lack of response to violence, as well as our reactions to the universal experience of death that underlies both high-profile public disasters and everyday violence.
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FORMAT: Hardcover, 9.75 x 10.5 in. / 45 pgs / 26 color / 4 b&w
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9780971168701
PUBLISHER: Stellan Holm Gallery
AVAILABLE: 2/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY:
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| Andy Warhol: Little Electric Chair Paintings Published by Stellan Holm Gallery.
Essays by Peter Halley, Gerard Malanga. People go by and it doesn't matter that someone was killed. I still care about people, but it would be so much easier not to care, it's too hard to care. --Andy Warhol News and death fascinated Warhol, and nowhere is this more uncomfortably reflected than in his paintings of electric chairs. Part of his "Death and Disaster" series, these works borrow from the eye-catching style of tabloid journalism to reflect on the clash of dreams and violence that suffused 60s America. Using photographs collected from various media sources, imagery often deemed too upsetting for the front page, Warhol compels us to look more closely at our own voyeurism and our response and lack of response to violence, as well as our reactions to the universal experience of death that underlies both high-profile public disasters and everyday violence.
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