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Paperback, 5 x 7.5 in. / 272 pgs / 64 color. PUBLISHING STATUS
Pub Date 3/2/2004
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ISBN 9780921047964 TRADE
List Price: $20.00 CAD $27.95 GBP £17.50 AVAILABILITY
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| | | Double-Cross: The Hollywood Films Of Douglas GordonEssay by Philip Monk.
How to double-cross Hollywood as an artist? This first monograph on British artist Douglas Gordon analyses all of the artist's video projection installations that are based on his appropriations of Hollywood film noir or Hitchcock films, examining Gordon's language works as well. Counter to the usual interpretations of Gordon's work as a dichotomy between good and evil, Double-Cross argues that his work is all about dissemblance, with the dichotomy only one deception among others. It also argues that, with the inaugural separation of the components of sound and image in his work, one of the artist's disguises is that of an author. All the fragments of the artist's work--projections, language works, photography--add up to the production of a criminal author. His final disguise is that of an experimental filmmaker whose subject is not the film noir themes of trust, guilt, fate, and the madness of the double that appear as the content of his work, but the temporality of the spectator's engagement.
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|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
| | | |  | KerberISBN: 9783735603661
USD $49.95 | CAD $67.5Pub Date: 2/27/2018
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|  | The Museum of Modern Art, New YorkISBN: 9780870703904
USD $60.00 | CAD $70Pub Date: 6/1/2006
Active | In stock
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|  | Art Gallery of York University/The Power PlantISBN: 9780921047964
USD $20.00 | CAD $27.95 UK £ 17.5Pub Date: 3/2/2004
Active | Out of stock
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|  | SkiraISBN: 9788861300057
USD $36.95 | CAD $47.5Pub Date: 8/7/2007
Active | In stock
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FORMAT: Paperback, 5 x 7.5 in. / 272 pgs / 64 color.
LIST PRICE: U.S. $20.00
LIST PRICE: CANADA $27.95
GBP £17.50
ISBN: 9780921047964
PUBLISHER: Art Gallery of York University/The Power Plant
AVAILABLE: 3/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
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| Double-Cross: The Hollywood Films Of Douglas Gordon Published by Art Gallery of York University/The Power Plant.
Essay by Philip Monk. How to double-cross Hollywood as an artist? This first monograph on British artist Douglas Gordon analyses all of the artist's video projection installations that are based on his appropriations of Hollywood film noir or Hitchcock films, examining Gordon's language works as well. Counter to the usual interpretations of Gordon's work as a dichotomy between good and evil, Double-Cross argues that his work is all about dissemblance, with the dichotomy only one deception among others. It also argues that, with the inaugural separation of the components of sound and image in his work, one of the artist's disguises is that of an author. All the fragments of the artist's work--projections, language works, photography--add up to the production of a criminal author. His final disguise is that of an experimental filmmaker whose subject is not the film noir themes of trust, guilt, fate, and the madness of the double that appear as the content of his work, but the temporality of the spectator's engagement.
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