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Clth, 11 x 11.5 in. / 176 pgs / 82 color. PUBLISHING STATUS
Pub Date 5/19/2020
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Catalog: SPRING 2018 p. 122 PRODUCT DETAILS
ISBN 9783775743525 TRADE
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| | | Adrian Ghenie: Paintings 2014-2019Edited by Juerg Judin.
 Particularly since his spectacular exhibition in the Romanian Pavilion at the 56th Venice Biennale in 2015, Adrian Ghenie (born 1977) has been celebrated as one of the most interesting and unconventional painters of his generation. His works—painted in oils sometimes applied with a palette knife or thrown onto the canvas—have already gained entry into the collections of the Metropolitan Museum of Art, Tate Modern and the Centre Pompidou, and have achieved one auction record after another in the art market. Yet neither Ghenie’s subjects nor his technique cater to public taste. The history of the “century of humiliation” (as Ghenie refers to the 20th century), and its perpetrators and victims, are the predominant sources for his collage-like compositions. These subjects are juxtaposed with heroes such as Van Gogh and Darwin, as well as depictions of himself.
"Self-Potrait as Vincent van Gogh 2" (2014) is reproduced from 'Adrian Ghenie: Paintings 2014-2019.' |
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|  | Hatje CantzISBN: 9783775743525
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USD $55.00 | CAD $72.5Pub Date: 10/27/2015
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FORMAT: Clth, 11 x 11.5 in. / 176 pgs / 82 color.
LIST PRICE: U.S. $85.00
LIST PRICE: CANADA $112.5
ISBN: 9783775743525
PUBLISHER: Hatje Cantz
AVAILABLE: 5/19/2020
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2018 Page 122 | PRESS INQUIRIES
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| Adrian Ghenie: Paintings 2014-2019 Published by Hatje Cantz.
Edited by Juerg Judin. Particularly since his spectacular exhibition in the Romanian Pavilion at the 56th Venice Biennale in 2015, Adrian Ghenie (born 1977) has been celebrated as one of the most interesting and unconventional painters of his generation. His works—painted in oils sometimes applied with a palette knife or thrown onto the canvas—have already gained entry into the collections of the Metropolitan Museum of Art, Tate Modern and the Centre Pompidou, and have achieved one auction record after another in the art market. Yet neither Ghenie’s subjects nor his technique cater to public taste. The history of the “century of humiliation” (as Ghenie refers to the 20th century), and its perpetrators and victims, are the predominant sources for his collage-like compositions. These subjects are juxtaposed with heroes such as Van Gogh and Darwin, as well as depictions of himself.
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