This photobook by Hervé Guibert, The Only Face, is not a novel in the traditional sense but is nonetheless filled with characters, settings and mystery. It starts with bodies—their faces either eclipsed or out of frame—before unleashing a bravura sequence of portraits: friends, lovers, family and Guibert himself. As the book approaches its finale, his subjects are obscured and then disappear completely, leaving behind the objects they touched, until even those vanish, leaving only light.
Most of the photographs in The Only Face were taken on Guibert’s European and American travels, but their settings are, with few exceptions, small private interiors. . . . .go to book page >>

\ I could talk for hours about this house, this garden. I know it all, I know where every old door is, everything, the walls of the pond, all the plants, the location of every plant, even the wild plants I know the place of, everything.\ So begins Marguerite Duras’ rhapsody on the spaces she has inhabited throughout her life. The Places of Marguerite Duras was filmed and aired as a two-part television documentary in 1976. Her reminiscences are structured around her memories of specific locations: her house in Neauphle-le-Château; her childhood home in French Indochina, which inspired her acclaimed novel . . . .go to book page >>