In March 2020, after suffering from a severe bout of Covid, Eugene Richards sought out a safe place to walk and recuperate, and became entranced with Brooklyn’s much-loved Green-Wood Cemetery. Founded in 1837 and proclaimed a National Historic Landmark in 2006, the 487-acre burial ground and arboretum is the final resting place of more than 550,000 people. Over the subsequent years, Richards made nearly 100 visits to Green-Wood, photographing both poetical [more]

On her very first trip to India in 1968, American photographer Mary Ellen Mark (1940–2015) visited Falkland Road, the notorious red-light area in Bombay (now Mumbai). She tried to photograph its inhabitants, yet was consistently met with hostility and aggression, both from the prostitutes she sought to portray and the men who were their customers. Resilient, she returned in October 1978 after 10 years of trying to photograph the area, this [more]

Originally published in 1971, Gordon Parks’ Born Black was the first book to unite his writing and his photography and also the first to provide a focused survey of Parks’ documentation of a crucial time for the civil rights and Black Power movements.
More than 50 years later, this expanded edition illuminates Parks’ vision for the book and offers deeper insight into the series contained within. The original publication featured nine articles [more]

This monograph stands as a groundbreaking tribute to the early color work of renowned American photographer Garry Winogrand. While he is most recognized for his candid and lively black-and-white street photography, Winogrand's portfolio also includes an impressive collection of over 45,000 color slides captured between the early 1950s and the late 1960s. Using two cameras strapped to his chest—one loaded with color film and the other with black-and-white film—he extensively documented [more]

American photographer Jim Mangan began The Crick as a photographic survey of the unorthodox architecture of Fundamentalist Church of Jesus Christ of Latter-Day Saints (FLDS) houses in the Utah-Arizona border town of Short Creek. He soon found that the bigger story lay in a group of teenage boys navigating their disintegrating community, fractured after leader Warren Jeffs was imprisoned in 2011. These subjects were children at the time of the fallout, [more]

This pocket-size volume presents an entrancing selection of studio and vernacular photographs of Mexican women from the mid-19th century to the 1960s. Through the careful editing of photographer Pablo Ortiz Monasterio, the sequence of images coalesces into a narrative of women’s empowerment. As photographic technology advances in the book—transitioning from daguerreotypes to color film—so too do the rights of the women pictured, who become increasingly mobile, expressive and exposed. Yet, regardless [more]

Marking the first museum exhibition devoted solely to the photographs of Ellsworth Kelly, this beautifully designed volume features each photograph in the Santa Barbara Museum of Art’s illuminating presentation of this lesser-known aspect of Kelly’s art. From the late 1940s on, Kelly created an era-defining body of abstract art based on many kinds of visual phenomena he perceived around him. Largely made for himself, Kelly’s photographs record these discoveries in tightly-composed [more]

For more than two decades, artist-activist LaToya Ruby Frazier has used photography, text, moving images and performance to revive and preserve forgotten narratives of labor, gender and race in the postindustrial era. Frazier has cultivated a practice that builds on the legacy of the social documentary tradition of the 1930s, the photo-conceptual forays of the 1960s and 1970s, and the work of socially conscious writers such as Upton Sinclair, James Baldwin [more]

Living and working over a century apart, British photographer Julia Margaret Cameron and American photographer Francesca Woodman experienced vastly different ways of making and understanding images. Yet the two share more similarities than expected. Both artists had brief careers lasting less than 15 years; while neither enjoyed popularity and success during their lives, they have posthumously received widespread acclaim. Their portraits feature ethereal, experimental qualities that connect them soundly across time.
The [more]

Since the late 1970s, Canadian photographer Jeff Wall has made significant contributions to establishing photography as an autonomous medium. He is considered the founder of "staged" photography and generates mostly large-format photographs—often inspired by literature, film and art history—composed in a multilayered and subtle way from a multitude of individual shots. Wall makes a distinction between his documentary still life photos and his cinematographic” pictures, the latter of which take months [more]