Zwelethu Mthethwa

Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays

"…It was my hope to try and empower these individuals in some way. I asked them if I could take their photographs, and I also asked them to collaborate with me in the making of their portrait. Often they would ask me to come back in an hour so they could wash and change their clothes, and I was happy to do this because it adds to their comfort during the shoot. It was important that I offered them the chance to decide how they wanted to be photographed, and in this way it became, in a sense, about giving them back their dignity and authorship. Their homes were not made of brick and mortar but rather more fragile materials like cardboard and corrugated tin. But their spaces were immaculate and they used colorful coverings and designs for their wall décor."
Zwelethu Mthethwa, interviewed by Isolde Brielmaier in Zwelethu Mthethwa published by Damiani.

Zwelethu Mthethwa "challenges conventional ideas of the black subject as a ground-down, dispossessed, disempowered, and abject figure in need of social sympathy. The various series, as a collection, offer an inquiry not only into the crisis of dwelling and habitation that besets the black populations of post-apartheid South Africa but also into the production of citizenship and sovereignty, land and labor. His grand images present the emancipatory possibility of color; its ability to infuse life into beleaguered communities, and to speak persuasively of the dignity of the subjects in the face of their entrapment, and also of their ardor, resilience, and courage. Mtethwa more than amply realizes his ambition to clear the ground, to begin anew, if not necessarily in service of fine arts photography, then at least toward a kind of photography after the end of documentary realism." – Okwui Enwezor, excerpted from "Photography after the End of Documentary Realism" in Zwelethu Mthethwa.

MONOGRAPHS & CATALOGS