Published by Atelier EXB. Edited with text by Marion Perceval, Kevin Moore.
An indisputably important figure in photography, Jacques-Henri Lartigue was fascinated by new inventions such as the automobile and telecommunications, and concurrently the new possibilities that the photographic medium offered. In 1912 he began taking photographs in a radically different way by using a surprising anachronistic technique: stereoscopic autochrome on glass plates. This process relied on meticulous technical preparation and a long, precise exposure time for his staged compositions. The end result is not a print but a double stereoscopic view that he projected onto a screen. Lartigue filled each frame with bright colors through a mix of sunny landscapes, dazzling flowers and playful scenes of his well-to-do family and friends at leisure. During the short time he produced these images—from 1912 to 1927—Lartigue made an important series of double-view autochromes, from which the 90 remaining pieces are presented here for the first time in their entirety and at full scale. In order to understand the effect this series has had in the history of color photography, the images in The Proof of Color are accompanied by a contextual commentary. Born to a prosperous family, Jacques-Henri Lartigue (1894–1986) was unknown as a photographer until 1963 when his work was shown for the first time at the Museum of Modern Art, New York. That same year, a spread published in Life magazine in an issue on John F. Kennedy’s death also introduced Lartigue’s work to a wider public.
Published by Marsilio. Edited with text by Denis Curti, Marion Perceval, Charles-Antoine Revol.
Despite becoming interested in photography when he was barely in double digits, French artist Jacques Henri Lartigue (1894-1986) didn’t achieve mainstream recognition until he was nearly 70 years old. A 1963 exhibition of his boyhood photography at the Museum of Modern Art in New York prompted new appreciation for his pictures, which bore a clear affinity with the street photography of the great humanist photographer Henri Cartier-Bresson.
Though he mainly supported himself as a painter later on in life, Lartigue was devoted to the art of photography and continued to capture the world around him until he was in his 90s, beginning with domestic candid shots in his childhood and later depicting the upper crust of European society.
With their motion-blur and frequently grinning, unposed subjects, Lartigue’s images convey the photographer’s genuine passion for life and a consistent interest in everyday moments. The book presents 120 images from Lartigue’s numerous personal photo albums, including 55 pictures that have never been published before.
Published by Actes Sud/Hermès. Preface by Anne-Marie Garat. Text by Thierry Terret.
Jacques Henri Lartigue was fascinated by the ascent of sport in the early twentieth century as a fashionable pastime for the middle classes, and was himself a keen sportsman. Lartigue’s entirely unposed photographs, presented album-style in this gorgeous, luxurious and delightful volume, capture both the joyous exuberance of amateur sports--racing, skiing, tennis, gymnastics, hang gliding--and the particular character of its popularity in the first half of the twentieth century. Lartigue is an absolute master at conveying the dynamism of the human body at play--the peculiar shapes it can contort into, and the gestures that can express anything from easy nonchalance to fierce focus. These photographs also serve as a historical catalogue of the paraphernalia and smart casual clothing associated with each sport. A Sporting Life is divided into five themed chapters: “The Sportsman,” “Taking the Air,” “Training,” “Women and Children” and “Sport as Spectacle.” Here, we witness how sports were transforming social relations, introducing new opportunities for expression, especially across gender lines. In an essay, historian Thierry Terret reveals the complexity of Lartigue’s technical approach to photography, and looks at the issues surrounding the rise of sport in its modern incarnation as a leisure pursuit and as commerce. In a preface, novelist Anne-Marie Garat (whose own narratives often feature the themes of photography and family) provides a personal perspective on Lartigue’s sports photography, also exploring the role played by sport in the development of photography itself. The book is copublished with Hermès, in celebration of its 2013 sports theme.
Jacques Henri Lartigue (1894–1986) was a French photographer and painter, most famous for his photographs of the leisure activities of France’s middle and upper classes. An avid photographer from the age of seven, Lartigue gained fame for his photo albums, which provide a comprehensive chronicle of the twentieth century in France and abroad, and for his official portraits.
Jacques Henri Lartigue: The Invention of Happiness
Jacques Henri Lartigue: A Sporting Life