Eikoh Hosoe

Ba-ra-kei: Ordeal by Roses is a rare glimpse into the life of the great modern Japanese writer, Yukio Mishima, who ended his life in 1970 by ritual suicide. Many in Japan regarded the suicide as a sensational act. However, the publication of Mishima's final cycle of novels, which had been conceived eight years prior to his death, revealed that his death was carefully considered--a gesture of historical import in perfect accord with the morbid and esoteric aesthetic that pervades his writing. In 1961 Mishima asked Eikoh Hosoe to photograph him, giving him full artistic direction in making these surreal and alluring photographs. The props that surround the writer and the baroque interior of his home are antithetical to the pure Japanese sensibility of understatement and reveal Mishima's dark, theatrical imagination.

To me photography can be simultaneously both a record and a “mirror” or “window” of self-expression. The camera is generally assumed to be unable to depict that which is not visible to the eye. And yet the photographer who wields it well can depict what lies unseen in his memory. --Eikoh Hosoe
Eikoh Hosoe is an integral part of the history of modern Japanese photography. He remains a driving force in photography, not only for his own work, but also as a teacher and as an ambassador, fostering artistic exchange between Japan and the outside world. His influence has been felt in his native country and throughout the international photographic community.

Fans of Japanese culture, for a little more than the cost of the prix-fixe sushi dinner at New York restaurant Masa, you can own one of the classics of Japanese photography. More than 35 years after it first appeared, Kamaitachi, a long out-of-print masterwork by Japanese photographer Eikoh Hosoe, gets its first publication outside Japan. Not just a reprint but a recreation in collaboration with the photographer and in homage to the innovative original, this limited edition holds 40 black-and-white tritone images, each of which receives the scope of a gatefold. Slipcased and protected by a clamshell box, the book is not just a publication but an objet d'art in itself. Hosoe was known for pushing the boundaries of traditional photography through his interactions with important Japanese artists such as Butoh dancer Tasumi Hijikata and novelist Yukio Mishima. In Kamaitachi, he sought to recapture, with choreographic style, some of the lost landscapes and images of his childhood experience in the closing years of World War II.

Signed and numbered edition of 500 copies.