LaToya Ruby Frazier

For more than two decades, artist-activist LaToya Ruby Frazier has used photography, text, moving images and performance to revive and preserve forgotten narratives of labor, gender and race in the postindustrial era. Frazier has cultivated a practice that builds on the legacy of the social documentary tradition of the 1930s, the photo-conceptual forays of the 1960s and 1970s, and the work of socially conscious writers such as Upton Sinclair, James Baldwin and bell hooks. Monuments of Solidarity celebrates the creativity and collaboration that persist in the face of industrialization and deindustrialization, racial and environmental injustice, gender disparities, unequal access to health care and clean water, and the denial of fundamental human rights. A form of Black feminist world-building, Frazier’s nontraditional “monuments for workers’ thoughts” demand recognition of the crucial role that women and people of color have played, and continue to play, in histories of labor and the working class.
Published in conjunction with the first comprehensive museum survey dedicated to the artist, Monuments of Solidarity presents the full range of her practice and includes both rarely seen and brand-new bodies of work. An illuminating overview essay by the exhibition’s curator, Roxana Marcoci, is accompanied by a manifesto by the artist and a suite of focused essays by other curators and scholars.
LaToya Ruby Frazier was born in 1982 in Braddock, Pennsylvania. Her artistic practice spans a range of mediums, including photography, video, performance, installation art and books, and centers on the nexus of social justice, cultural change and commentary on the American experience. Frazier is the recipient of numerous awards, including a 2015 MacArthur Fellowship.

LaToya Ruby Frazier’s Flint Is Family in Three Acts chronicles the ongoing manmade water crisis in Flint, Michigan, from the perspective of those who live and fight for their right to access free, clean water. Featuring photographs, texts, poems and interviews made in collaboration with Flint’s residents, this five-year body of work, begun in 2016, serves as an intervention and alternative to mass media accounts of this political, economic and racial injustice.
In 2014, as a cost-cutting measure, the Flint City Council switched the town’s water supply from a Detroit treatment facility to the industrial-waste-filled Flint River. Forced to use water contaminated with lead at 27 times the government’s maximum threshold, Flint’s citizens—predominantly Black and overwhelmingly poor—fell ill almost immediately and many battle chronic medical conditions as a result.
Frazier first traveled to Flint in 2016, as part of a magazine commission to create a photo essay about the water crisis. During that trip she met Shea Cobb, a Flint poet, activist and mother who became Frazier’s collaborator. Divided into three acts, the book follows Cobb as she fights for her family’s and community’s health and well-being. Act I introduces Cobb, her family and their community. Act II follows Cobb and her daughter Zion to Newton, Mississippi, where they move in with Cobb’s father, Douglas R. Smiley, and learn to take care of family-owned land and horses. Act III documents the arrival of an atmospheric water generator to Flint that Frazier, Cobb and her best friend, Amber Hasan, helped set up and operate in their neighborhood.
Spurred by the lack of mass-media interest in this ongoing crisis, Frazier’s approach ensures that the lives and voices of Flint’s residents are seen and heard. Flint Is Family in Three Acts is a 21st-century survey of the American landscape that reveals the persistent segregation and racism which haunts it. It is also a story of a community’s strength, pride and resilience in the face of a crisis that continues.
LaToya Ruby Frazier was born in 1982 in Braddock, Pennsylvania. Her practice spans photography, video and performance, and centers on the nexus of social justice, cultural change and commentary on the American experience. Her first book, The Notion of Family (2014), received the International Center for Photography Infinity Award, and in 2015 she received a MacArthur Foundation Fellowship. Frazier is an associate professor of photography at the School of the Art Institute of Chicago, and lives in Chicago.

Frazier's (born 1982) portraits reflect both a political engagement with and a personal investment in her subject matter. This book presents her seminal series The Notion of a Family, in which she documents three generations of her own family in the suburbs of Pittsburgh, alongside two more recent projects: On the Making of Steel Genesis: Sandra Gould Ford (2017), made in close collaboration with artist and steelworker Sandra Gould Ford; and Et des terrils un arbre s'élèvera (2016–17), made with the people of Mons in Borinage, Belgium, once home to a coalmine.

Following a long tradition of photography as a tool for political activism, Frazier's intimate photographs provide insight into the daily lives of those most affected by the industries' decline.

Photographer LaToya Ruby Frazier (born 1982) grew up in Braddock, PA, a borough in the American Rust Belt ravaged by the steel-industry crisis that hit the US during the Reagan administration. In this former bastion of the steel industry, the artist was raised in her Afro-American family, whose story she told in The Notion of Family. Her 2016 residency at Grand-Hornu allowed her to pursue her work on postindustrial society in Belgium, turning her camera to the Borinage, a mining region whose intense activity in the 19th century was diminished by a series of crises that led to the closure of the last mine in 1976. Testimonies gathered by Frazier from the former miners and their families have resulted in And from the Coaltips a Tree Will Rise, an extensive collection of portraits, landscapes and still lifes.