Published by RM. Text by Horacio Fernández, et al.
A Chupar del Bote (whose title, which translates roughly as “living off the public teat,” comes from a show at the popular Barcelona cabaret El Molino, in the mid-1970s) constitutes a rediscovery of the Spanish photographer Ximo Berenguer (1946–77), and a beautiful portrait of the cabaret—its performers, its audience, the singular old building that housed it.
