Museum Exhibition Catalogues, Monographs, Artist's Projects, Curatorial Writings and Essays
"Looking more carefully, some disturbing elements appear in these compositions. The impression is that the artist is trying to govern her strange fanciful world, controlling and mutilating her own creatures with a sort of 'careless cruelty,' where the vivid colours and the daring fantasies accentuate this ruthless trait instead of hiding it." Gabriella Belli, excerpted from the introduction to Dana Schutz.
Edited by Malou Wedel Bruun, Anders Kold. Foreword by Poul Erik Třjner, Anders Kold. Text by Jarrett Earnest, Lauren Groff, Anaël Pigeat. Interview by Anders Kold.
With a vast selection of works from the last two decades and Polaroids of the artist's studio, this mid-career catalog provides unique perspective on Schutz's oeuvre and methods
Flexi, 9.75 x 13 in. / 160 pgs / 92 color / 22 bw. | 7/4/2023 | In stock $50.00
Published by Louisiana Museum of Modern Art. Edited by Malou Wedel Bruun, Anders Kold. Foreword by Poul Erik Třjner, Anders Kold. Text by Jarrett Earnest, Lauren Groff, Anaël Pigeat. Interview by Anders Kold.
Dana Schutz is one of the great figurative painters of our time—an eminent storyteller who depicts people in complex and often gigantic compositions. For two decades now, Schutz has distinguished herself with her tremendous narrative power, vigorous sense of color and ability to merge the gruesome, grotesque, absurd and comic. This richly illustrated catalog presents paintings, drawings, prints and sculpture, providing an overview of Schutz's entire career to date. Alongside a thorough analysis of Schutz's work by curator Anaël Pigeat, it presents a studio visit described in detail by art critic (and friend of the artist) Jarrett Earnest, whose text is accompanied by Polaroids of the studio that unfold Schutz’s working methods. Also featured is a conversation between curator Anders Kold and the artist, and a poetic essay by award-winning author Lauren Groff. Dana Schutz was born in 1976 in Livonia, Michigan, and received her BFA from the Cleveland Institute of Art, Ohio, and her MFA from Columbia University, New York. She lives and works in Brooklyn, New York. Recent solo museum exhibitions include Dana Schutz: Eating Atom Bombs held at the Transformer Station, Cleveland, Ohio (2018), which debuted a series of paintings by the artist; an exhibition of new work at the Institute of Contemporary Art, Boston (2017); a career survey at the Musée d’art contemporain de Montréal (2015); and a solo exhibition at the Hepworth Wakefield, England (2013), which traveled to the kestnergesellschaft, Hanover, Germany (2014).
Published by Walther König, Köln. Foreword by Veit Görner. Text by Susanne Figner, Suzanne Hudson, Chrissie Iles.
Demo includes 38 paintings and 30 drawings produced by American artist Dana Schutz (born 1976) between 2010 and 2014. Through her classical oil painting methods, Schutz offers a colorful cosmos of peculiar figures in everyday situations as well as in absurd, dreamlike scenarios.
Published by Silvana Editoriale. Edited by Gabriella Belli.
Dana Schutz (born 1976) declared her painterly intentions from early in her work, and the fecundity of her visual world has not diminished over the decade-long course of her career, which has seen her work acquired by major museums across the world. Her paintings have always been characterized by bright, almost throwaway cartoonish colors that seem cheery in all but content. Once described as possessing a “careless cruelty,” Schutz's art plunges into dark fantasy realms to dredge up such images as face-eating heads, self-mutilators, child suicides, persons maimed, blindfolded or bound in terrible ways--all parading before the viewer in a genial palette that would be ideally suited to the depicting of a happy spring day. Schutz qualifies that, while her subjects are frequently self-devouring, they are “self-created too [...] They are defined by their own production.” This paperback monograph surveys work from her debut in 2002 to 2010.
PUBLISHER
BOOK FORMAT Paperback, 6.5 x 9.5 in. / 128 pgs / 30 color.
PUBLISHING STATUS Pub Date 10/31/2011 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2011 p. 74
PRODUCT DETAILS ISBN 9788836618712TRADE List Price: $40.00 CAD $50.00
Published by Walther König, Köln. Text by Jörg Heiser.
New York-based Dana Schutz is widely considered one of the most talented painters of her generation. As The New York Times' Holland Cotter wrote in 2007, “She's a terrific painter. From the start, her broad, sardonic, cartoon-expressionist style was prodigious but also focused. There was lots of splash, but the images were strong and centered. Her gallery shows were thematically tight without being programmatic, like a book of poems that reads as one poem. This kind of completeness is hard to achieve.” In this volume, Schutz takes on the still-life genre, coming up with dazzling, colorful paintings that are at once merry and ambiguous about the objects of our everyday lives. Thirteen recent paintings are presented, along with installation photographs from her recent exhibition at Contemporary Fine Arts, Kupfergraben. A conversation between the artist and Jörg Heiser lends additional insights into Schutz's pictorial compositions and working method.
Published by The Rose Art Museum. Essays by Jŕrg Heiser and Katy Siegel. Introduction and Interview by Raphaela Platow.
This first book of Dana Schutz's paintings is just catching up with her rave reviews--the New York Times said one recent show was "outstanding," and Artforum agreed, "far greater than the sum of its parts." Schutz's ecstatically imaginative work, executed in a vibrant, subjective palette, has made an impact since she began exhibiting five years ago. Paintings 2002 - 2005 features significant examples of the bodies of work that constitute her oeuvre to date, including the fictitious narrative Frank from Observation, as well as Self-Eaters, which revolves around making and remaking, plus works depicting the construction and destruction of imaginary societies, and paintings of musicians. One undercurrent explored is Schutz's captivating investigation of the artist's role as creator, and hence the relationship between the maker and the made. Another is her tendency to make open-ended references to a vast pool of stylistic and art-historical sources.
PUBLISHER The Rose Art Museum
BOOK FORMAT Hardcover, 8 x 10.5 in. / 96 pgs / 40 color.
PUBLISHING STATUS Pub Date 2/1/2006 Out of stock indefinitely
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2006 p. 118
PRODUCT DETAILS ISBN 9780976159339TRADE List Price: $45.00 CAD $60.00 GBP £40.00
Dana Schutz: Demo
Dana Schutz
Dana Schutz: If It Appears in the Desert
Dana Schutz: Paintings 2002-2005