Edited with text by Udo Kittelmann, Mario Mainetti. Foreword by Miuccia Prada, Patrizio Bertelli. Text by Anthea Bell, Massimo Cacciari, Paola Capriolo, Edgar Froese, Umberto Gandini, Michael Hofmann, Franz Kafka, Martin Kippenberger, Susanne Kippenberger, Primo Levi, Thomas Martinec, Breon Mitchell, Ayad B. Rahmani, Orson Welles.
Slipcased in a giant “K,” this beautiful book looks at three treatments of Kafka by Martin Kippenberger, Orson Welles and Tangerine Dream
Slip, hbk, 5 x 7 in. / 448 pgs / 28 color / 20 bw. | 7/5/2022 | In stock $65.00
Edited by Eva Meyer-Hermann and Susanne Neuburger. Essays by Kathleen Bühler, Diedrich Diederichsen, Manfred Hermes, Anke Kempkes, Martin Prinzhorn and Lucy McKenzie.
Paperback, 7 x 9.5 in. / 272 pgs / 250 color. | 8/2/2003 | Not available $45.00
Edited by Thomas Groetz. Essays by Stephan Schmidt-Wulffen, Martin Prinzhorn, Werner Büttner, Merlin Carpenter, Rainald Goetz, Peter Pakesch and Mayo Thompson.
Hardcover, 9.5 x 11.5 in. / 60 pgs / 29 color 21 bw | 7/2/2003 | Not available $40.00
Published by Walther König, Köln. Edited by Gisela Capitain, Lisa Franzen. Text by Julia Gelshorn, Chris Reitz.
Volume 2 of Martin Kippenberger’s (1953–97) catalogue raisonné covers the years 1983 to 1986. Over 300 paintings are illustrated in color and listed with catalog number, title, year, technique, dimensions, inscriptions, provenance, exhibitions and bibliography. A variety of sources, historical photographs, archival materials and references by Kippenberger to works of his own and by other artists complement individual entries. Highlights of the second volume include series and groups of works such as the I.N.P. series (1984), Architectural Pictures (1984–85) the Opinion Pictures (1985), the I <3 Pictures (1985), the Profit and Cost Peaks (1985) and the No Problem Pictures (1986), as well as Kippenberger’s extensive artistic output following his trip to Brazil. The appendix contains a chronological list of exhibitions and publications.
Martin Kippenberger's “The Happy End of Franz Kafka’s Amerika” Accompanied by Orson Welles’ Film “The Trial” and Tangerine Dream's Album “The Castle”
Published by Fondazione Prada. Edited with text by Udo Kittelmann, Mario Mainetti. Foreword by Miuccia Prada, Patrizio Bertelli. Text by Anthea Bell, Massimo Cacciari, Paola Capriolo, Edgar Froese, Umberto Gandini, Michael Hofmann, Franz Kafka, Martin Kippenberger, Susanne Kippenberger, Primo Levi, Thomas Martinec, Breon Mitchell, Ayad B. Rahmani, Orson Welles.
Gathering three works by Martin Kippenberger, Orson Welles and Tangerine Dream inspired by Kafka’s uncompleted novels Amerika, The Trial and The Castle, K is also a tribute to the publishers and translators of Kafka, and their republication of texts or first translations into English or Italian. The preferred editions of the three novels in English and Italian republished in K are those translated from the restored versions of the German texts.
The structure of the book is led by archival documents with cross-references shown next to the texts representing correspondences with Kafka’s thinking.
Published by Spector Books. Edited by Marcus Andrew Hurttig, Stefan Weppelmann. Text by Marcus Andrew Hurttig.
In the early 1990s, Martin Kippenberger (1953–97) developed the idea of a global underground network: METRO-Net. Although it is one of the artist’s most fascinating projects, his premature death in 1997 meant that it could only be implemented in rudimentary form. In 1993, a metro entrance was built on the Greek island of Syros, followed by two more: one in 1995, in Dawson City in Canada, and the other in 1997, on the new Leipzig exhibition grounds. These structures proposed a means of traveling in the boundless space of the imagination: without the willingness to visualize tunnel tubes and moving underground trains, this project remains a “nonsensical building plan.” But the moment we accept the artwork as a mode of transport for “mind travelers,” then the full power of this work unfolds. Documented in this volume, Kippenberger’s METRO-Net was intended to counter life’s predictable, rationally oriented parameters with a romantic sense of the world.
Published by J&L BOOKS. By Susanne Kippenberger. Translated by Damion Searls.
Over the course of his 20-year career, Martin Kippenberger (1953-1997) cast himself alternately as hard-drinking carouser and confrontational art-world jester, thrusting these personae to the forefront of his prodigious creativity. He was also very much a player in the international art world of the 1970s right up until his death in 1997, commissioning work from artists such as Jeff Koons and Mike Kelley, and acting as unofficial ringleader to a generation of German artists. Written by the artist's sister, Susanne Kippenberger, this first English-language biography draws both from personal memories of their shared childhood and exhaustive interviews with Kippenberger's extended family of friends and colleagues in the art world. Kippenberger gives insight into the psychology and drive behind this playful and provocative artist. This is the eBook edition of Kippenberger, originally published in print form in January 2012.
PUBLISHER
BOOK FORMAT eBook Editions for iPad, Nook and Kindle
Published by Walther König, Köln. Text by Gisela Capitain, Lisa Franzen, Peter Gorschlüter, Rembert Hüser, Sarah Khan.
Widely considered Martin Kippenberger’s (1953–97) masterpiece, The Happy End of Franz Kafka’s "Amerika" explores a utopia of universal employment, based on a section from Kafka’s titular novel in which the protagonist, Karl Rossmann, applies for a job at the “biggest theater in the world”: “whoever wants to become an artist should sign up!” Kippenberger’s installation, set out on a stylized football pitch, is made up of 50 table-and-chair ensembles. Alongside classic design icons and found objects, it also includes furniture especially produced by Kippenberger, as well as pieces by numerous artist friends, including Cosima von Bonin, Tony Oursler, Ulrich Strothjohann and Jason Rhodes. This publication examines the work, and includes, for the first time, “biographies” of the individual objects, tracing the contexts of their creation, collection and integration into the installation. This volume therefore constitutes the definitive documentation of The Happy End of Franz Kafka’s "Amerika".
Published by MAMCO Geneva. Text by Daniel Baumann, Thierry Davila.
Not quite a “real” museum and not quite an installation piece of its own, the Museum of Modern Art Syros (MOMAS) was created in 1993 by German artist Martin Kippenberger (1953–97) as a private artists’ space that poked fun at the institutional value of museums. Kippenberger claimed the cement ruins of an abandoned building on the Greek island of Syros as the perfect site for his museum—the fact that there were no walls on which to hang any art did not matter to him, because no art was ever actually displayed. For seven years, Kippenberger assumed the role of museum director and annually invited a small group of friends to work on and exhibit their art in MOMAS. This publication provides the first comprehensive study of the project with Kippenberger’s original plans and interviews with the artists who attended MOMAS.
Böckler, the artist’s assistant at the time, depicts Kippenberger dancing in bars, celebrating his 33rd birthday and performing for the camera. He collects material for his works and projects, and engages with the urban backdrop in Salvador de Bahia, Manaus or Recife, staging various “Aktionen” in public spaces. Böckler’s 150-plus images include her personal observations as well as Kippenberger’s ideas and performative interventions. The journey also includes the legendary ‘Aktion’ of the purchase of a beach-front petrol station that Kippenberger named the “Martin Bormann Tankstelle” (based on the theory that the Nazi war criminal had moved to South America and was now operating a petrol station).
PUBLISHER Bierke
BOOK FORMAT Paperback, 8.25 x 10.75 in. / 184 pgs / 69 color / 85 bw.
PUBLISHING STATUS Pub Date 4/23/2019 Active
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2017 p. 126
PRODUCT DETAILS ISBN 9783981337044TRADE List Price: $29.95 CAD $39.95
AVAILABILITY Out of stock
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
Published by Walther König, Köln. Edited by Gisela Capitain, Regina Fiorito, Lisa Franzen. Text by Kirsty Bell, Michael Sanchez.
Although Martin Kippenberger (1953–97) was prolific in many mediums, it was in painting that his enduring achievements were made. His relationship to the medium was intensified by his feeling that he was working against “a perceived death of painting,” and that producing anything original was an impossibility. One famous instance of his tormented and irreverent attitude to painting was his integration of an all-gray abstract painting by Gerhard Richter (which he had purchased) into the top of a coffee table. The fruit of several years’ labor by Kippenberger’s estate, this third volume of the catalogue raisonné of Kippenberger’s paintings contains details of all works made from 1987 to 1992. The entries for these paintings include catalogue number, title, year, mediums, dimensions, inscriptions, provenance, exhibitions and bibliography. Each work is reproduced in full color, along with any relevant source materials (where applicable).
Published by Walther König, Köln. Text by Isabelle Graw, Tim Griffin.
Although Martin Kippenberger (1953–1997) was prolific in many media, it was in painting that his enduring achievements were made. His relationship to the medium was intensified by his feeling that he was working against “a perceived death of painting,” and that producing anything original was an impossibility. One famous instance of his tormented and irreverent attitude to painting was his integration of an all-gray abstract painting by Gerhard Richter (which he had purchased) into the top of a coffee table. The fruit of several years’ labor by Kippenberger’s estate, this first volume of the catalogue raisonné of Kippenberger’s paintings contains details of all works made from 1993 to 1997. The entries for these 225 paintings include catalogue number, title, year, media, dimensions, inscriptions, provenance, exhibitions and bibliography. Each work is reproduced in full color, along with any relevant source materials (where applicable). This volume also contains an overview of unfinished works. Each series or group of works is presented as a separate chapter with its own commentary covering the genesis of the works as well as references to both Kippenberger’s own work and that of other artists. This volume also contains a chronological list of works with black-and-white thumbnails, a chronological list of exhibitions and a bibliography that reflects Kippenberger’s very particular use of the terms “exhibition catalogue,” “artist’s book” and “book.”
Published by J&L Books. By Susanne Kippenberger. Translated by Damion Searls.
Over the course of his 20-year career, Martin Kippenberger (1953-1997) cast himself alternately as hard-drinking carouser and confrontational art-world jester, thrusting these personae to the forefront of his prodigious creativity. He was also very much a player in the international art world of the 1970s right up until his death in 1997, commissioning work from artists such as Jeff Koons and Mike Kelley, and acting as unofficial ringleader to a generation of German artists. Written by the artist's sister, Susanne Kippenberger, this first English-language biography draws both from personal memories of their shared childhood and exhaustive interviews with Kippenberger's extended family of friends and colleagues in the art world. Kippenbergergives insight into the psychology and drive behind this playful and provocative artist.
One of the most versatile and prolific artists of the postwar era, Martin Kippenberger (1953–1997) has been the subject of numerous major exhibitions since his premature death at the age of 44. The last exhibition in his lifetime took place at the Städtisches Museum Abteiberg, in Mönchengladbach, Germany, and was titled Der Eiermann und seine Ausleger (The Eggman and his Outriggers). This publication focuses on nine paintings, a group of drawings and one sculpture that formed the center of this final exhibit, all of which were made in the last three years of Kippenberger’s life. These works explore the motif of the egg--a key theme throughout the artist’s career, deployed to variously reference rebirth, reproduction and circularity, and also used as a comic device: in one self-portrait, Kippenberger depicts himself as an eggman whose torso has expanded well beyond its youthful contours.
PUBLISHER Skarsdedt
BOOK FORMAT Hardcover, 9.5 x 11.5 in. / 64 pgs / illustrated throughout.
PUBLISHING STATUS Pub Date 3/31/2012 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2012 p. 82
PRODUCT DETAILS ISBN 9781616237202TRADE List Price: $35.00 CAD $40.00
Published by Walther König, Köln. Edited by Eva Meyer-Hermann.
Despite or because of his raucous irreverence towards art history, Martin Kippenberger (1953-1997) nourished a fascination with Picasso that led to numerous portrait works on the theme of male identity and mortality and paintings responding to Picasso's death. Kippenberger Meets Picassoincludes color reproductions of works as well as archival photographs.
Published by Walther König, Köln. Edited by Peter Pakesch. Text by Daniel Birnbaum, Martin Prinzhorn, Elisbeth Hirschmann.
Painter Christopher Wool has written, “Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant.” Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate power structures and taboos. One of the most important artists of the twentieth century, he not only worked in a variety of media--painting, sculpture, books and multiples--but, taking a cue from Joseph Beuys, actively tried to conceive new possibilities on which to model an art practice. This volume, published for an exhibition at Austria’s acclaimed Kunsthaus Graz, includes incisive essays by curator and critic Daniel Birnbaum and linguist and writer Martin Prinzhorn, which examine the softer, more utopian side of the artist.
Published by DuMont. Essay by Manfred Hermes. Foreword by Friedrich Christian Flick.
Beginning in the late 70s, Martin Kippenberger conceived his work as a point of intersection between artistic contexts and circulating ideas. With his characteristic blend of refinement and extreme crudity, he left very few of the problems and methods of twentieth-century art untouched. Via a postmodernist disposition, one combining humor, direct reference, communicativeness and body politics, Kippenberger seized upon the central artistic questions of the late twentieth century like virtually no other artist of his generation, and translated them into complex structures of communications. This is a beautiful and excitingly designed monograph containing reproductions of paintings, works on paper, sculpture, photographs and installation work, as well as a very strong reading of Kippenberger's work by Manfred Hermes. All of the work reproduced here is in the collection of Friedrich Christian Flick, one of the best in-depth assemblages of contemporary art in the world.
Published by nyehaus/foundation 20 21. Edited by Tim Nye. Essays by Carol Eckman and David Nolan, and Michael Würthle.
Martin Kippenberger's trickster aesthetic was aided and abetted by the owners of his famed Berlin hangout, the Paris Bar. One proprietor, Michael Würthle, provided Kippenberger with a place to make art at his family's house on the island of Syros, Greece; the other, Reinald Nohal, owned a summer retreat in Canada's Yukon Territory, which the artist visited. In those two remote locations, Kippenberger conceived his worldwide subway network, Metro-Net, and built the first two entrances, should anyone decide to do the rest of the underground excavation and construction. The Bermuda Triangle documents in detail the planning and execution of this piece by the late high-art prankster, and reproduces the varied, accomplished, sometimes hilarious and devastatingly human drawings from the 80s and 90s, mostly on hotel stationery, from Würthle's collection. Its witty design is one Kippenberger would certainly have appreciated, its two volumes accompanied by a 'guerilla marketing kit' of two posters and an “I [heart] Kippenberger” bumper sticker, all contained in a cardboard box that converts to a display stand.
PUBLISHER nyehaus/foundation 20 21
BOOK FORMAT Boxed, 6.75 x 9.25 in. / 114 pgs / 110 color / 11 bw / 2 duotone.
PUBLISHING STATUS Pub Date 6/15/2005 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2005 p. 175
PRODUCT DETAILS ISBN 9781891027161SDNR30 List Price: $95.00 CAD $115.00
Published by Walther König, Köln. Introduction By Karola Grässlin. Essay by Martin Prinzhorn.
This latest reference work on Kippenberger catalogues all of the multiples produced between 1982 and 1997, documented by title, year, format, motive, edition, signature, and production. Here you will find many hard-to-describe works, including Mirror Babies, ELITE '88, Upside Down And Turning Me, Disco Bombs, and Kippen Seltzer.
PUBLISHER Walther König, Köln
BOOK FORMAT Paperback, 8.5 x 10.75 in. / 144 pgs / 143 color / 10 bw.
PUBLISHING STATUS Pub Date 8/2/2003 Out of stock indefinitely
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2004
PRODUCT DETAILS ISBN 9783883756783SDNR30 List Price: $35.00 CAD $47.50
Published by Holzwarth Publications. Edited by Thomas Groetz. Essays by Stephan Schmidt-Wulffen, Martin Prinzhorn, Werner Büttner, Merlin Carpenter, Rainald Goetz, Peter Pakesch and Mayo Thompson.
On February 26, 2003, Martin Kippenberger would have turned 50. In commemoration of his birthday, gallerist Max Hetzler presents this volume in which artists, critics, art historians and authors have written highly personal testimonies to Kippenberger, who was a friend, role model and source of irritation all in one. Kippenberger's forceful presence is doubly testified to by the artwork, snapshots and ephemera scattered throughout.
Published by Walther König, Köln. Essay by Julian Heynen.
The curator in his essay and the two artists in their work have one thing in common: the question of space. In the 1990s, Kippenberger had the idea (documented here through drawings and a poster) of an underground network encircling the whole world. Opposite this, H‡fer's photographs show such interiors as MoMA, an underground station in Oslo, and the German pavilion at the Venice Biennale, all absent of any human presence.
PUBLISHER Walther König, Köln
BOOK FORMAT Paperback, 6 x 8.75 in. / 104 pgs / 37 color / 3 bw
PUBLISHING STATUS Pub Date 8/2/2003 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2004
PRODUCT DETAILS ISBN 9783883757049SDNR30 List Price: $25.00 CAD $30.00
Published by D.A.P./Distributed Art Publishers. Artwork by Alex Katz, Martin Kippenberger. Edited by Uwe Koch, Roberto Ohrt. Text by Diedrich Diederichsen.
Roberta Smith called him the “madcap bad boy of contemporary German art” and also “one of the three or four best German artists of the postwar period.” Martin Kippenberger disrupted the status quo throughout his brief, excessive life, not just by making art of every variety and medium but also by conducting an extended performance in the vicinity of art that involved running galleries, organizing exhibitions, collecting the work of his contemporaries and overseeing assistants. He published books and catalogues, played in a rock-and-roll band and cut records, ran a performance-art space during his early years in Berlin, became part owner of a restaurant in Los Angeles during six months he spent there preparing for an exhibition, and collaborated extensively with other artists. This particular volume considers his output of artist's books, as well as his exhibition catalogues and all the publications whose content he either created or edited. More than just documentation, this publication makes accessible for a wider public the multiple aspects of Kippenberger's books, with all the complexity and consequence of his oeuvre intact.
Published by Walther König, Köln. Edited by Eva Meyer-Hermann and Susanne Neuburger. Essays by Kathleen Bühler, Diedrich Diederichsen, Manfred Hermes, Anke Kempkes, Martin Prinzhorn and Lucy McKenzie.
Martin Kippenberger died in 1997 at the young age of 44. Nach Kippenberger--after Kippenberger--collects together various essays which pave the way for an understanding of his work after the fact, for the next generation. Essayists include Eva Meyer-Hermann, Anke Kempkes and Manfred Hermes, and more than 250 images illustrate Kippenberger's life and work.
PUBLISHER Walther König, Köln
BOOK FORMAT Paperback, 7 x 9.5 in. / 272 pgs / 250 color.
PUBLISHING STATUS Pub Date 8/2/2003 Out of print
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2004
PRODUCT DETAILS ISBN 9783851600285SDNR30 List Price: $45.00 CAD $55.00