Edited by Konrad Bitterli. Text by Konrad Bitterli, Jurg Halter, Eva Kuhn, Roman Kurzmeyer, Maja Naef, Catherine Pavlovic, Hans Rudolf Reust, Kristin Schmidt, Markus Stegmann, Nadia Veronese, Roland Wäspe. Preface by Roland Wäspe, Konrad Bitterli.
Clth, 6.5 x 9.5 in. / 240 pgs / 100 color. | 8/31/2012 | Not available $55.00
Published by Hatje Cantz. Edited with text by Markus Stegmann.
For more than 40 years, Swiss artist Silvia Bächli (born 1956) has been a driving force in the formal and conceptual development of the medium of drawing. This publication documents her new series of large-format works on paper featuring undulating lines composed of muted tones.
Published by Kerber. Edited with text by Kirsten Claudia Voigt. Text by Pia Müller-Tamm, Ilma Rakusa.
The latest series of drawings from noted Swiss artist Silvia Bächli (born 1956) are shown alongside her small sculptures in Shift. The exhibition and catalog—which also features a wall installation developed in collaboration with Swiss conceptual artist Eric Hattan—addresses how two-dimensional works affect perception of three-dimensional space.
Published by Moderne Kunst Nürnberg. Edited by Konrad Bitterli. Text by Konrad Bitterli, Jurg Halter, Eva Kuhn, Roman Kurzmeyer, Maja Naef, Catherine Pavlovic, Hans Rudolf Reust, Kristin Schmidt, Markus Stegmann, Nadia Veronese, Roland Wäspe. Preface by Roland Wäspe, Konrad Bitterli.
This comprehensive reader examines the career of Swiss illustrator Silvia Bächli (born 1956), who translates objects into a loose, abstract graphic form. Far Apart Close Together looks at her room-filling table installations, multi-part drawing ensembles hung on walls, large-scale paper pieces and recent photographic work.
Published by Verlag für moderne Kunst. Essay by Markus Stegmann.
Silvia Bächli's lineup of large-scale drawings is the most comprehensive to date from the important Swiss artist. Marked by Bächli's characteristic purity of form and drawn by hand, the lines, in grids or other manifestations, appear simple in their uniformity but differ from one another by the imperfections of human replication in their thickness, intensity and color value. All of the drawings possess a clearly readable and individual biography, one of spare essence. In an age of visual overload, Bächli's meditative visions provoke contemplation rather than wanton stimulation.
Published by Lars Müller Publishers. Edited by Lars Müller.
Generally black and white, consistently made in series, Silvia Bâchli's drawings are always determined by her sense of clarity, purity and measure. This book, far from being a complete monograph, presents nearly 300 drawings which Bâchli has completed since 1983. Her visual repertoire, which always speak of reduction, confronts with the intensity and range of its visual and mental associations.