Nicola Lees

This volume documents the first U.S. solo exhibition of Colombian-born, London-based artist Oscar Murillo (born 1986), held at the Rubell Family Collection in Florida in 2013. Over the course of a five-week residency in the summer of 2012, Murillo took over a 60-foot space at the Rubell, as well as its sculpture garden, to create 32 works, including five massive paintings, all of which are reproduced here. These works were informed by Murillo's exposure to Miami's Latin culture, as well as a weekend visit to his native Colombia and the gigantic proportions of the exhibition space itself. Two of the largest works are abstract; three are inscribed with words evoking colonial and/or Western appropriation ("mango," "chorizo" and "yoga"); all display the heavily worked surfaces for which Murillo is well known. Also included here is photo documentation of the exhibition's preparation and an interview with the artist.

Hans Ulrich Obrist’s 2009 Poetry Marathon was an ambitious two-day poetry event held in Kazuyo Sejima and Ryue Nishizawa’s summer pavilion at the Serpentine Gallery, with performances from leading poets, writers, artists, philosophers, scholars and musicians. Intended as a continuation of the overlap between twentieth-century poetry and art in Dada, Cubism, Surrealism, the New York Schools and Fluxus, this ambitious occasion is now commemorated in this 728-page volume. Poetry Marathon includes contributions from Sean Bonney, Tracey Emin, Brian Eno, James Fenton, Gilbert & George, John Giorno, Dominique Gonzalez-Foerster, Kenneth Goldsmith, Eugen Gomringer, Richard Hell, Geoffrey Hill, Joan Jonas, August Kleinzahler, Nick Laird, Sean Landers, Jonas Mekas, Maria Mirabel, Eileen Myles, Philippe Parreno, Holly Pester, Jeremy Reed, Gerhard Rühm, Barry Schwabsky and Agnès Varda, among many others.