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Blue KingfisherBOOK FORMAT
Hardcover, 8.5 x 10.75 in. / 320 pgs / 200 bw. PUBLISHING STATUS
Pub Date 7/1/2007
No longer our product DISTRIBUTION
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Catalog: FALL 2007 p. 134 PRODUCT DETAILS
ISBN 9789889926595 TRADE
List Price: $40.00 CAD $50.00 AVAILABILITY
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| | | BLUE KINGFISHERPerformance Art in ChinaBy Thomas J. Berghuis.
Performance Art in China takes as its subject one of the most dynamic and controversial areas of experimental art practice in China. In his comprehensive study, Sydney-based theorist and art historian Thomas J. Berghuis introduces and investigates the idea of the "role of the mediated subject of the acting body in art," a notion grounded in the realization that the body is always present in art practice, as well as its subsequent, secondary representations. Through a series of in-depth case studies, Berghuis reveals how, during the past 25 years, Chinese performance artists have "acted out" their art, often in opposition to the principles governing correct behavior in the public domain. In addition to a 25-year chronology of events, a systematic index of places, names and key terms, as well as a bibliography and a glossary in English and Chinese, this study also offers the reader numerous previously unpublished photos and documents.
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FORMAT: Hardcover, 8.5 x 10.75 in. / 320 pgs / 200 b&w.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $50
ISBN: 9789889926595
PUBLISHER: Blue Kingfisher
AVAILABLE: 7/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ | D.A.P. CATALOG: FALL 2007 Page 134 | PRESS INQUIRIES
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| Performance Art in China Published by Blue Kingfisher.
By Thomas J. Berghuis. Performance Art in China takes as its subject one of the most dynamic and controversial areas of experimental art practice in China. In his comprehensive study, Sydney-based theorist and art historian Thomas J. Berghuis introduces and investigates the idea of the "role of the mediated subject of the acting body in art," a notion grounded in the realization that the body is always present in art practice, as well as its subsequent, secondary representations. Through a series of in-depth case studies, Berghuis reveals how, during the past 25 years, Chinese performance artists have "acted out" their art, often in opposition to the principles governing correct behavior in the public domain. In addition to a 25-year chronology of events, a systematic index of places, names and key terms, as well as a bibliography and a glossary in English and Chinese, this study also offers the reader numerous previously unpublished photos and documents.
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