Edited by Marjolijn Dijkman, Jes Fernie. Text by Jonathan Watkins, Krzystof Fijalkowski, Jes Ferni.
History Rising is an engaging study of museum display by artist Marjolijn Dijkman and curator Jes Fernie. Readers are invited to reconsider their view of history by looking at the mechanisms museums put in place to create a sense of order and hierarchy within their collections. By distancing museum objects from their support structures History Rising forms a critique of the assumptions that are made about how things are positioned, who chooses to display them, and how the social, political and aesthetic choices that are made in the process dictate the language of display.
The book consists of visual and written essays, an interview between artist and curator, an inventory of works, and documentation of Dijkman's installations in museums and galleries in the UK. The installations and sculptures propose strange and fantastical juxtapositions, alleviate objects from the weight of history and create links with modernism, the heritage industry and the aesthetics of sci-fi.
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FORMAT: Hbk, 9.8 x 11.2 in. / 96 pgs. LIST PRICE: U.S. $19.95 LIST PRICE: CANADA $29.95 ISBN: 9789491677304 PUBLISHER: Onomatopee AVAILABLE: 10/20/2015 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AFR
Published by Onomatopee. Edited by Marjolijn Dijkman, Jes Fernie. Text by Jonathan Watkins, Krzystof Fijalkowski, Jes Ferni.
History Rising is an engaging study of museum display by artist Marjolijn Dijkman and curator Jes Fernie. Readers are invited to reconsider their view of history by looking at the mechanisms museums put in place to create a sense of order and hierarchy within their collections. By distancing museum objects from their support structures History Rising forms a critique of the assumptions that are made about how things are positioned, who chooses to display them, and how the social, political and aesthetic choices that are made in the process dictate the language of display.
The book consists of visual and written essays, an interview between artist and curator, an inventory of works, and documentation of Dijkman's installations in museums and galleries in the UK. The installations and sculptures propose strange and fantastical juxtapositions, alleviate objects from the weight of history and create links with modernism, the heritage industry and the aesthetics of sci-fi.
