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MAX STRöM
Lars Tunbjörk
Text by Kathy Ryan, Göran Odbratt, Maud Nycander.
Initially inspired by Swedish masters such as Christer Strömholm, as well as Stephen Shore and William Eggleston, Lars Tunbjörk (1956–2015) was one of the great and truly original European photographers. Tunbjörk's international breakthrough came in 1993 with the photobook Country beside Itself. Celebrated by Martin Parr and Gerry Badger as "an acute observer of modern life," Tunbjörk's color images amplified the mundane and the absurd in a quietly surreal fashion using the hard light of flash photography, which became his signature style and influenced a subsequent generation of photographers. His best-known photobook series include Office (2001), which depicts office workers in bizarre chance positions, and Home (2003), in which everyday items such as flowers or armchairs are made to reveal a quiet absurdity in Swedish suburbia. With more than 250 images, this volume constitutes the most substantial overview of his work.
PRAISE AND REVIEWS
The New York Times
Jordan G. Teicher
Mr. Tunbjork’s disparate subjects emerge from the darkness with brutal clarity.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
FORMAT: Hbk, 11.5 x 10.5 in. / 336 pgs / 220 color / 34 b&w. LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $87 ISBN: 9789171264442 PUBLISHER: Max Ström AVAILABLE: 10/23/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA ONLY
Published by Max Ström. Text by Kathy Ryan, Göran Odbratt, Maud Nycander.
Initially inspired by Swedish masters such as Christer Strömholm, as well as Stephen Shore and William Eggleston, Lars Tunbjörk (1956–2015) was one of the great and truly original European photographers. Tunbjörk's international breakthrough came in 1993 with the photobook Country beside Itself. Celebrated by Martin Parr and Gerry Badger as "an acute observer of modern life," Tunbjörk's color images amplified the mundane and the absurd in a quietly surreal fashion using the hard light of flash photography, which became his signature style and influenced a subsequent generation of photographers. His best-known photobook series include Office (2001), which depicts office workers in bizarre chance positions, and Home (2003), in which everyday items such as flowers or armchairs are made to reveal a quiet absurdity in Swedish suburbia. With more than 250 images, this volume constitutes the most substantial overview of his work.