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SILVANA EDITORIALE
Aldo Rossi: Prints 1973-1997
The Window of the Poet
Edited by Germano Celant.
This volume provides the definitive survey of the graphic work of Aldo Rossi (1931-97), reproducing 300 prints. In the 1970s and 80s, Rossi attained equal preeminence as an architect, theorist and artist, and it was in the latter capacity that his imagination took full flight. Colorful and humorous, and utilizing simple forms such as cones, cylinders and cubes, Rossi's graphic output extends his vision of the city as a unified entity composed of consistent rather than unconnected structures. Rossi's architectural vocabulary synthesized medieval and Renaissance precedents (most famously in his floating theatre created for the 1979 Venice Biennale) in a manner that led him to be tagged a postmodernist in the 80s, especially in the US where he taught for many years at Yale and Cornell, and erected buildings in Pennsylvania, Florida and Texas. As the work of Rossi and his generation receives renewed critical attention, this volume celebrates one of the postwar era's leading architectural imaginations.
Featured image is reproduced from Aldo Rossi: Prints 1973-1997.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
FORMAT: Pbk, 9 x 11 in. / 256 pgs / 300 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $67.5 ISBN: 9788836630844 PUBLISHER: Silvana Editoriale AVAILABLE: 11/24/2015 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Aldo Rossi: Prints 1973-1997 The Window of the Poet
Published by Silvana Editoriale. Edited by Germano Celant.
This volume provides the definitive survey of the graphic work of Aldo Rossi (1931-97), reproducing 300 prints. In the 1970s and 80s, Rossi attained equal preeminence as an architect, theorist and artist, and it was in the latter capacity that his imagination took full flight. Colorful and humorous, and utilizing simple forms such as cones, cylinders and cubes, Rossi's graphic output extends his vision of the city as a unified entity composed of consistent rather than unconnected structures. Rossi's architectural vocabulary synthesized medieval and Renaissance precedents (most famously in his floating theatre created for the 1979 Venice Biennale) in a manner that led him to be tagged a postmodernist in the 80s, especially in the US where he taught for many years at Yale and Cornell, and erected buildings in Pennsylvania, Florida and Texas. As the work of Rossi and his generation receives renewed critical attention, this volume celebrates one of the postwar era's leading architectural imaginations.
