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RMBOOK FORMAT
Clth, 13 x 11.5 in. / 132 pgs / 10 color / 75 bw. PUBLISHING STATUS
Pub Date 8/31/2009
Out of print DISTRIBUTION
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Catalog: FALL 2009 p. 64 PRODUCT DETAILS
ISBN 9788492480579 TRADE
List Price: $75.00 CAD $90.00 AVAILABILITY
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| | | Christopher Anderson: Capitolio
Capitolio is New York documentary photographer Christopher Anderson's cinematic journey through the upheavals of contemporary Caracas, Venezuela, in the tradition of such earlier projects as William Klein's New York (1954-55) and Robert Frank's The Americans (1958). It presents a poetic and politicized vision, by one of today's finest documentary photographers, of a city and a country that is ripping apart at the seams under the stress of popular unrest, and whose turmoil remains largely unreported by Western media. No stranger to such fraught situations (he covered the 2006 conflict between Hezbollah and Israel from its inception), Anderson notates the country's current incongruities, where the violent and the sensual intermingle chaotically. "The word 'capitolio' refers to the domed building that houses a government," writes Anderson, elaborating on the title of this volume; "here, the city of Caracas, Venezuela, is itself a metaphorical capitolio building. The decaying Modernist architecture, with a jungle growing through the cracks, becomes the walls of this building and the violent streets become the corridors where the human drama plays itself out in what President Hugo Chavez called a 'revolution.'"
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| | | | |  | RMISBN: 9788415118565
USD $35.00 | CAD $47.5Pub Date: 3/31/2014
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FORMAT: Clth, 13 x 11.5 in. / 132 pgs / 10 color / 75 b&w.
LIST PRICE: U.S. $75.00
LIST PRICE: CANADA $90
ISBN: 9788492480579
PUBLISHER: RM
AVAILABLE: 8/31/2009
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Christopher Anderson: Capitolio Published by RM. Capitolio is New York documentary photographer Christopher Anderson's cinematic journey through the upheavals of contemporary Caracas, Venezuela, in the tradition of such earlier projects as William Klein's New York (1954-55) and Robert Frank's The Americans (1958). It presents a poetic and politicized vision, by one of today's finest documentary photographers, of a city and a country that is ripping apart at the seams under the stress of popular unrest, and whose turmoil remains largely unreported by Western media. No stranger to such fraught situations (he covered the 2006 conflict between Hezbollah and Israel from its inception), Anderson notates the country's current incongruities, where the violent and the sensual intermingle chaotically. "The word 'capitolio' refers to the domed building that houses a government," writes Anderson, elaborating on the title of this volume; "here, the city of Caracas, Venezuela, is itself a metaphorical capitolio building. The decaying Modernist architecture, with a jungle growing through the cracks, becomes the walls of this building and the violent streets become the corridors where the human drama plays itself out in what President Hugo Chavez called a 'revolution.'"
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