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| | BOOK FORMAT
Paperback, 9.5 x 12 in. / 310 pgs / 350 color. PUBLISHING STATUS
Pub Date 9/1/2008
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Catalog: FALL 2008 p. 22 PRODUCT DETAILS
ISBN 9788475068084 TRADE
List Price: $69.00 CAD $85.00 AVAILABILITY
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NA ASIA AU/NZ AFR ME | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Goya & ItalyEdited by Joan Sureda.
Around 1770 or 1771, Francisco Goya went to Italy for roughly one year. Although it is not known whether he was actually fleeing the Spanish Inquisition, as an artist of his time he was certainly undertaking a pilgrimage to a country in which many (non-Italian) artists had completed their apprenticeships. Myths proliferate about Goya's Italian period. There are tales of his working as an acrobat, romancing a nun and being offering a job as court painter to Catherine the Great. Whatever the truth of these, he certainly came face to face with much inspirational art: Raphael and Michelangelo at the Vatican, Tiepolo, Correggio's frescoes in Parma, plus the Belvedere Torso of Apollonius and the Farnese Hercules of Glykon (both of which he sketched). During this stint, Goya also entered a painting in the Parma Academy competition, winning second prize. But upon his return to Spain, Goya was an artist transformed, liberated from Neoclassicism and free to pursue his own wilder painterly imaginings. By 1774, Goya had gone from anonymity to become Saragossa's most prosperous artist. What was he doing during this murky Italian jaunt? Goya and Italy is the first book to consider this question at length. In its pages, historians have collaborated to recreate the climate of eighteenth-century Rome, to postulate Goya's place in it and to assess the legacy of this shrouded episode in his biography. It will prove an invaluable document for Goya fans.
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FORMAT: Paperback, 9.5 x 12 in. / 310 pgs / 350 color.
LIST PRICE: U.S. $69.00
LIST PRICE: CANADA $85
ISBN: 9788475068084
PUBLISHER: Turner
AVAILABLE: 9/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2008 Page 22 | PRESS INQUIRIES
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| Goya & Italy Published by Turner.
Edited by Joan Sureda. Around 1770 or 1771, Francisco Goya went to Italy for roughly one year. Although it is not known whether he was actually fleeing the Spanish Inquisition, as an artist of his time he was certainly undertaking a pilgrimage to a country in which many (non-Italian) artists had completed their apprenticeships. Myths proliferate about Goya's Italian period. There are tales of his working as an acrobat, romancing a nun and being offering a job as court painter to Catherine the Great. Whatever the truth of these, he certainly came face to face with much inspirational art: Raphael and Michelangelo at the Vatican, Tiepolo, Correggio's frescoes in Parma, plus the Belvedere Torso of Apollonius and the Farnese Hercules of Glykon (both of which he sketched). During this stint, Goya also entered a painting in the Parma Academy competition, winning second prize. But upon his return to Spain, Goya was an artist transformed, liberated from Neoclassicism and free to pursue his own wilder painterly imaginings. By 1774, Goya had gone from anonymity to become Saragossa's most prosperous artist. What was he doing during this murky Italian jaunt? Goya and Italy is the first book to consider this question at length. In its pages, historians have collaborated to recreate the climate of eighteenth-century Rome, to postulate Goya's place in it and to assess the legacy of this shrouded episode in his biography. It will prove an invaluable document for Goya fans.
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