| | BOOK FORMAT Slip, clth, 3 vols, 9.5 x 11.5 in. / 864 pgs / 1856 color / 88 bw. PUBLISHING STATUS Pub Date 6/24/2025 Forthcoming DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2024 p. 35 PRODUCT DETAILS ISBN 9783969992265 SDNR40 List Price: $430.00 CAD $610.00 AVAILABILITY Awaiting stock | TERRITORY NA ONLY | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Edward Ruscha: Catalogue Raisonné of the Books, Prints, and Photographic Editions1960–2022Edited by Siri Engberg.
The latest Ruscha catalogue raisonné, encompassing all of his printed workThis definitive three-volume publication is the most comprehensive assessment to date on the books, prints and photographic editions of Ed Ruscha, who since the early 1960s has been one of contemporary art’s most innovative practitioners in the graphic arts. A pioneer of conceptual photography and the contemporary artist’s book, Ruscha has also produced more than 500 graphic works that set him apart as a prolific and experimental innovator in nearly every printmaking technique. This publication documents each of the artist’s projects in these three essential areas of production. Volume one is dedicated to scholarly essays by Engberg and artist book specialist Clive Phillpot, providing context and analysis of Ruscha’s achievements in the area of editions through the full arc of the artist’s career. Volume two focuses on Ruscha’s books, while volume three spotlights his prints and photographic editions. The catalogue raisonné entries compiled by curator and contemporary print scholar Siri Engberg feature detailed data and new photography, with full-color images of all prints and editioned photographic works, as well as a photographic inventory of each artist’s book cover and interior pages. Additional resources include Ruscha’s 1975 text The Information Man, a selected bibliography and exhibition history and photographic “visual archives” chronicling Ruscha’s activities working with print workshops and other collaborators. Ed Ruscha (born 1937) studied at the California Institute of the Arts under Robert Irwin and Emerson Woelffler. He is best known for his text-based works which place single words or phrases against colorful backgrounds. Ruscha has received retrospective exhibitions at the Whitney Museum of American Art, the Walker Art Center and most recently at the Museum of Modern Art, New York.
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| | STATUS: Forthcoming | 6/24/2025 This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com | |
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FORMAT: Slip, clth, 3 vols, 9.5 x 11.5 in. / 864 pgs / 1856 color / 88 b&w. LIST PRICE: U.S. $430.00 LIST PRICE: CANADA $610 ISBN: 9783969992265 PUBLISHER: Steidl/Gagosian, New York AVAILABLE: 6/24/2025 DISTRIBUTION: D.A.P. RETAILER DISC: SDNR40 PUBLISHING STATUS: Forthcoming AVAILABILITY: Awaiting stock TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2024 Page 35 | PRESS INQUIRIES
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| Edward Ruscha: Catalogue Raisonné of the Books, Prints, and Photographic Editions 1960–2022 Published by Steidl/Gagosian, New York. Edited by Siri Engberg. The latest Ruscha catalogue raisonné, encompassing all of his printed work This definitive three-volume publication is the most comprehensive assessment to date on the books, prints and photographic editions of Ed Ruscha, who since the early 1960s has been one of contemporary art’s most innovative practitioners in the graphic arts. A pioneer of conceptual photography and the contemporary artist’s book, Ruscha has also produced more than 500 graphic works that set him apart as a prolific and experimental innovator in nearly every printmaking technique.
This publication documents each of the artist’s projects in these three essential areas of production. Volume one is dedicated to scholarly essays by Engberg and artist book specialist Clive Phillpot, providing context and analysis of Ruscha’s achievements in the area of editions through the full arc of the artist’s career. Volume two focuses on Ruscha’s books, while volume three spotlights his prints and photographic editions. The catalogue raisonné entries compiled by curator and contemporary print scholar Siri Engberg feature detailed data and new photography, with full-color images of all prints and editioned photographic works, as well as a photographic inventory of each artist’s book cover and interior pages. Additional resources include Ruscha’s 1975 text The Information Man, a selected bibliography and exhibition history and photographic “visual archives” chronicling Ruscha’s activities working with print workshops and other collaborators.
Ed Ruscha (born 1937) studied at the California Institute of the Arts under Robert Irwin and Emerson Woelffler. He is best known for his text-based works which place single words or phrases against colorful backgrounds. Ruscha has received retrospective exhibitions at the Whitney Museum of American Art, the Walker Art Center and most recently at the Museum of Modern Art, New York.
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