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Clth, 9.75 x 12 in. / 234 pgs / 225 color / 165 bw. PUBLISHING STATUS
Pub Date 1/10/2023
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Catalog: SPRING 2023 p. 93 PRODUCT DETAILS
ISBN 9783969990735 TRADE
List Price: $65.00 CAD $91.00 AVAILABILITY
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| | | Deanna BowenText by Crystal Mowry, Kimberly Phillips.
Bowen’s autoethnographic art deconstructs the historical record to reveal the racialized undertones of cultural identity in North AmericaThis black-on-black volume brings together over 20 years of multimedia work by Montreal-based artist Deanna Bowen (born 1969), whose commitment to the excavation and recontextualization of colonial legacies—particularly those that implicate her family history and the Black diaspora in North America—makes her artworks urgent and vital, both in Canada and abroad.
Bowen first became known for her single-channel video works exploring issues of family, race, gender and sexuality, including milk-fed (1997) and Deutschland (2000). Working primarily with photography—both rediscovered and new, but also video, documentary film, sound, performance, publishing, found objects and installation art—Bowen offers us a rereading of white historical and archival facts. This volume introduces her work for a broader audience.
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FORMAT: Clth, 9.75 x 12 in. / 234 pgs / 225 color / 165 b&w.
LIST PRICE: U.S. $65.00
LIST PRICE: CANADA $91
ISBN: 9783969990735
PUBLISHER: Steidl/Scotiabank Photography Award
AVAILABLE: 1/10/2023
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2023 Page 93 | PRESS INQUIRIES
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| Deanna Bowen Published by Steidl/Scotiabank Photography Award.
Text by Crystal Mowry, Kimberly Phillips. Bowen’s autoethnographic art deconstructs the historical record to reveal the racialized undertones of cultural identity in North America This black-on-black volume brings together over 20 years of multimedia work by Montreal-based artist Deanna Bowen (born 1969), whose commitment to the excavation and recontextualization of colonial legacies—particularly those that implicate her family history and the Black diaspora in North America—makes her artworks urgent and vital, both in Canada and abroad.
Bowen first became known for her single-channel video works exploring issues of family, race, gender and sexuality, including milk-fed (1997) and Deutschland (2000). Working primarily with photography—both rediscovered and new, but also video, documentary film, sound, performance, publishing, found objects and installation art—Bowen offers us a rereading of white historical and archival facts. This volume introduces her work for a broader audience.
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