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Hardback, 8 x 10 in. / 96 pgs / 60 color. PUBLISHING STATUS
Pub Date 3/1/2008
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ISBN 9783905701630 TRADE
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| | | Scott MylesEdited by Beatrix Ruf. Text by Rob Tufnell, Caoimhin Mac Giolla Leith.
The oeuvre of Scottish artist Scott Myles is strongly gestural. It consists of photographs, objects, serigraphs, paintings and performance-based projects--a kind of reactivation of ideas on the valuation of art and social reality by means of the re-use of already established aesthetic codes. Thus, along with known art-historical works and their themes, concepts such as generosity or communication play a big role, as well as the involvement of the subject in his/her own environment. Myles' work, however, also always deals with his experience as an artist, with the role of the viewer and a certain openly-avowed romanticism. Along with all of this is a high degree of fictionalization, and, included in these fictions, the potential for producing art. This volume offers a comprehensive look into Myles' artistic production from 1999 to 2006.
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FORMAT: Hardback, 8 x 10 in. / 96 pgs / 60 color.
LIST PRICE: U.S. $30.00
LIST PRICE: CANADA $40
GBP £19.00
ISBN: 9783905701630
PUBLISHER: JRP|Ringier
AVAILABLE: 3/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: WORLD Excl FR DE AU CH | D.A.P. CATALOG: SPRING 2008 Page 181 | PRESS INQUIRIES
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| Scott Myles Published by JRP|Ringier.
Edited by Beatrix Ruf. Text by Rob Tufnell, Caoimhin Mac Giolla Leith. The oeuvre of Scottish artist Scott Myles is strongly gestural. It consists of photographs, objects, serigraphs, paintings and performance-based projects--a kind of reactivation of ideas on the valuation of art and social reality by means of the re-use of already established aesthetic codes. Thus, along with known art-historical works and their themes, concepts such as generosity or communication play a big role, as well as the involvement of the subject in his/her own environment. Myles' work, however, also always deals with his experience as an artist, with the role of the viewer and a certain openly-avowed romanticism. Along with all of this is a high degree of fictionalization, and, included in these fictions, the potential for producing art. This volume offers a comprehensive look into Myles' artistic production from 1999 to 2006.
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