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| | BOOK FORMAT
Clth, 7.75 x 9.5 in. / 120 color / 63 bw. PUBLISHING STATUS
Pub Date 10/31/2013
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Catalog: SPRING 2014 p. 129 PRODUCT DETAILS
ISBN 9783866788749 TRADE
List Price: $55.00 CAD $72.50 AVAILABILITY
Out of stock | TERRITORY
NA LA ME | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Piero Manzoni: When Bodies Became ArtEdited by Martin Engler, Max Hollein. Text by Martin Engler, Germano Celant, Massimiliano Gioni, Francesca Pola, Dominique Laporte, Franziska Leuthäusser.
Few artists have combined conceptual ingenuity with devastating critique as deftly and wittily as Piero Manzoni (1933–1963). Fifty years after his death at the tender age of 29, Manzoni remains unsurpassed as a provocateur: his Artist's Breath and Artist's Shit editions, which now sell for hundreds of thousands of dollars, are unanswerable satirical attacks on art-world economics and values, and his designations of various persons (such as Umberto Eco and Marcel Broodthaers) as "living artworks" prefigure many strains in performance art. Manzoni thus effected some of the most decisive paradigm shifts in postwar art, something for which he is only rarely given full credit. This comprehensive survey accompanies a major retrospective at the Städel in Frankfurt (the first major Manzoni retrospective outside Italy in more than two decades), and is published on the occasion of what would have been his eightieth birthday. It reproduces more than 100 works from all phases of the artist's brief but massively influential career, from his early Klein-influenced monochromes (or "Achromes") and the Art Informel years to his role as a leading member of the Zero group (alongside Mack, Piene, Tinguely, Klein, Fontana) and beyond.
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|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
| | | |  | Hauser & Wirth PublishersISBN: 9783906915333
USD $45.00 | CAD $63Pub Date: 1/28/2020
Active | In stock
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|  | nai010 publishersISBN: 9789462085053
USD $40.00 | CAD $55Pub Date: 5/21/2019
Active | In stock
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|  | Hauser & Wirth PublishersISBN: 9783906915326
USD $50.00 | CAD $69.95Pub Date: 4/23/2019
Active | In stock
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|  | KerberISBN: 9783866788749
USD $55.00 | CAD $72.5Pub Date: 10/31/2013
Active | Out of stock
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|  | SkiraISBN: 9788884911469
USD $590.00 | CAD $760Pub Date: 9/30/2004
Active | In stock
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FORMAT: Clth, 7.75 x 9.5 in. / 120 color / 63 b&w.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $72.5
ISBN: 9783866788749
PUBLISHER: Kerber
AVAILABLE: 10/31/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
TERRITORY: NA LA ME | D.A.P. CATALOG: SPRING 2014 Page 129 | PRESS INQUIRIES
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| Piero Manzoni: When Bodies Became Art Published by Kerber.
Edited by Martin Engler, Max Hollein. Text by Martin Engler, Germano Celant, Massimiliano Gioni, Francesca Pola, Dominique Laporte, Franziska Leuthäusser. Few artists have combined conceptual ingenuity with devastating critique as deftly and wittily as Piero Manzoni (1933–1963). Fifty years after his death at the tender age of 29, Manzoni remains unsurpassed as a provocateur: his Artist's Breath and Artist's Shit editions, which now sell for hundreds of thousands of dollars, are unanswerable satirical attacks on art-world economics and values, and his designations of various persons (such as Umberto Eco and Marcel Broodthaers) as "living artworks" prefigure many strains in performance art. Manzoni thus effected some of the most decisive paradigm shifts in postwar art, something for which he is only rarely given full credit. This comprehensive survey accompanies a major retrospective at the Städel in Frankfurt (the first major Manzoni retrospective outside Italy in more than two decades), and is published on the occasion of what would have been his eightieth birthday. It reproduces more than 100 works from all phases of the artist's brief but massively influential career, from his early Klein-influenced monochromes (or "Achromes") and the Art Informel years to his role as a leading member of the Zero group (alongside Mack, Piene, Tinguely, Klein, Fontana) and beyond.
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