| | PUBLISHER Kunsthaus BregenzBOOK FORMAT Clth, 8.75 x 11.75 in. / 176 pgs / 80 color. PUBLISHING STATUS Pub Date 9/30/2011 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2011 p. 87 PRODUCT DETAILS ISBN 9783865608901 TRADE List Price: $65.00 CAD $75.00 AVAILABILITY Not available | TERRITORY NA LA ASIA AU/NZ | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | KUNSTHAUS BREGENZAntony Gormley: Horizon FieldText by Martin Seel, Beat Wyss.
Since the 1980s, when the English sculptor Antony Gormley (born 1950) first began casting figures from his own body in lead and iron, his principal concern has been opening up new artistic and social venues for the display of his work. In realizing his latest work, “Horizon Field,” in Austria, the artist has installed 100 figures at an elevation of nearly 7,000 feet; the figures face every direction but never towards one another. The mountain landscape, with its beguiling mix of natural beauty, urbanity and the sociality of old valley communities, provides an ideal experimental field for Gormley's investigations into the relationship between nature and culture. Of this project, the artist said: “It asks basic questions: who are we, what are we, where do we come from and to where are we headed?” Photographs of the landscape installation are contextualized with images of the artist's previous works.
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FORMAT: Clth, 8.75 x 11.75 in. / 176 pgs / 80 color. LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $75 ISBN: 9783865608901 PUBLISHER: Kunsthaus Bregenz AVAILABLE: 9/30/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ | D.A.P. CATALOG: FALL 2011 Page 87 | PRESS INQUIRIES
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| Antony Gormley: Horizon Field Published by Kunsthaus Bregenz. Text by Martin Seel, Beat Wyss. Since the 1980s, when the English sculptor Antony Gormley (born 1950) first began casting figures from his own body in lead and iron, his principal concern has been opening up new artistic and social venues for the display of his work. In realizing his latest work, “Horizon Field,” in Austria, the artist has installed 100 figures at an elevation of nearly 7,000 feet; the figures face every direction but never towards one another. The mountain landscape, with its beguiling mix of natural beauty, urbanity and the sociality of old valley communities, provides an ideal experimental field for Gormley's investigations into the relationship between nature and culture. Of this project, the artist said: “It asks basic questions: who are we, what are we, where do we come from and to where are we headed?” Photographs of the landscape installation are contextualized with images of the artist's previous works.
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