| | BOOK FORMAT Clth, 10.25 x 10.25 in. / 116 pgs / 119 bw. PUBLISHING STATUS Pub Date 3/31/2010 Active DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2010 p. 92 PRODUCT DETAILS ISBN 9783865219176 TRADE List Price: $55.00 CAD $75.00 AVAILABILITY In stock | TERRITORY NA CHINA ONLY | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Robert Adams: Gone
Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go but where we've been," he judges. "We've got to go look at what we've done, which is oftentimes pretty awful, and see if we can't make of this place a civilized home." In Gone?, his most personal work to date, Adams lives out the implications of these words. In the 1980s, he revisited semi-rural areas he had known as a boy-landscapes that were no longer pristine, but which still retained their own particular qualities of light.
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FORMAT: Clth, 10.25 x 10.25 in. / 116 pgs / 119 b&w. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $75 ISBN: 9783865219176 PUBLISHER: Steidl Photography International AVAILABLE: 3/31/2010 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA CHINA ONLY | D.A.P. CATALOG: SPRING 2010 Page 92 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Robert Adams: Gone Published by Steidl Photography International. Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go but where we've been," he judges. "We've got to go look at what we've done, which is oftentimes pretty awful, and see if we can't make of this place a civilized home." In Gone?, his most personal work to date, Adams lives out the implications of these words. In the 1980s, he revisited semi-rural areas he had known as a boy-landscapes that were no longer pristine, but which still retained their own particular qualities of light.
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