Edited by Liesbeth Decan, Agnieszka Sosnowska. Text by Sarah Van Beurden, Greet Billet, Ann Coxon, Liesbeth Decan, Marta Kowalewska, Marika Ku?micz, Virginie Mamet, Sergio Martins, Anda Rottenberg, Camiel van Winkel.
Tapta’s activation of the viewer manifests itself in both her textile sculptures and neoprene works
In chronological order, Flexible Forms documents Tapta’s (1926–97) oeuvre from her textile pieces to her neoprene sculptures. It also documents the exclusive replication of Forms for a Flexible Space (1974), the only surviving interactive environment that Tapta created.
in stock $60.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
FORMAT: Pbk, 6.5 x 9.5 in. / 192 pgs / 200 color. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $87.5 ISBN: 9783775757669 PUBLISHER: Hatje Cantz AVAILABLE: 9/17/2024 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA
Published by Hatje Cantz. Edited by Liesbeth Decan, Agnieszka Sosnowska. Text by Sarah Van Beurden, Greet Billet, Ann Coxon, Liesbeth Decan, Marta Kowalewska, Marika Ku?micz, Virginie Mamet, Sergio Martins, Anda Rottenberg, Camiel van Winkel.
Tapta’s activation of the viewer manifests itself in both her textile sculptures and neoprene works
In chronological order, Flexible Forms documents Tapta’s (1926–97) oeuvre from her textile pieces to her neoprene sculptures. It also documents the exclusive replication of Forms for a Flexible Space (1974), the only surviving interactive environment that Tapta created.