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Flexi, 8.75 x 11 in. / 392 pgs / 300 color. PUBLISHING STATUS
Pub Date 12/21/2021
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Kunstmuseen Krefeld, Kaiser Wilhelm Museum, 10/08/21–01/16/22 | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Beuys & Duchamp: Artists of the FutureEdited by Magdalena Holzhey, Katharina Neuburger, Kornelia Röder. Text by Hans Dickel, Antje von Graevenitz, Gerhard Graulich, Christa-Maria Lerm Hayes, Katharina Neuburger.
Points of overlap and contention between two avant-garde visionariesIn conversations and interviews, Joseph Beuys (1921–86) alluded to Marcel Duchamp (1887–1968) more than to any other artist. And hardly anyone else seems to have challenged his work and his thought more than this artist from the previous generation.
Direct evidence of this complex tension is his oft-cited action The Silence of Marcel Duchamp is Overrated from 1964, through which Beuys attempted to shift focus onto the political and social dimensions of his concept of expanded art. The associations and connections between the artists go deep. Both used similar radical strategies to rejuvenate the concept of art and the role of art in everyday life; their questions had a number of aspects in common.
This fully illustrated catalog is the first to undertake a profound exploration of this multilayered relationship, while investigating both artists’ future-oriented potential.
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FORMAT: Flexi, 8.75 x 11 in. / 392 pgs / 300 color.
LIST PRICE: U.S. $70.00
LIST PRICE: CANADA $96
ISBN: 9783775750684
PUBLISHER: Hatje Cantz
AVAILABLE: 12/21/2021
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2021 Page 142 | PRESS INQUIRIES
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| Beuys & Duchamp: Artists of the Future Published by Hatje Cantz.
Edited by Magdalena Holzhey, Katharina Neuburger, Kornelia Röder. Text by Hans Dickel, Antje von Graevenitz, Gerhard Graulich, Christa-Maria Lerm Hayes, Katharina Neuburger. Points of overlap and contention between two avant-garde visionaries In conversations and interviews, Joseph Beuys (1921–86) alluded to Marcel Duchamp (1887–1968) more than to any other artist. And hardly anyone else seems to have challenged his work and his thought more than this artist from the previous generation.
Direct evidence of this complex tension is his oft-cited action The Silence of Marcel Duchamp is Overrated from 1964, through which Beuys attempted to shift focus onto the political and social dimensions of his concept of expanded art. The associations and connections between the artists go deep. Both used similar radical strategies to rejuvenate the concept of art and the role of art in everyday life; their questions had a number of aspects in common.
This fully illustrated catalog is the first to undertake a profound exploration of this multilayered relationship, while investigating both artists’ future-oriented potential.
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