| | BOOK FORMAT Clth, 9.5 x 11.25 in. / 216 pgs / 72 color. PUBLISHING STATUS Pub Date 5/31/2014 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2014 p. 138 PRODUCT DETAILS ISBN 9783775737319 TRADE List Price: $60.00 CAD $79.00 AVAILABILITY Not available | TERRITORY NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Kazimir Malevich: The World as ObjectlessnessText by Simon Bayer, Britta Dümpelmann, Kazimir Malevich.
In 1927, Kazimir Malevich (1879–1935)--the creator of the modernist icon "Black Square on a White Ground"--published The World as Objectlessness, his vision of a "world of non-representation," through the Bauhaus publishing arm. For a long time this book was Malevich’s only publication in a Western language, and the title then, somewhat imprecisely translated, was Die gegenstandslose Welt (The Non-Objective World). Malevich described his theory as "the supremacy of pure feeling or perception in the pictorial arts," and emphasized the "feeling" of a work, rather than the depiction of objects, advancing a philosophy that was both anti-material and non-utilitarian, focusing on geometric forms--lines, squares and circles--within a limited chromatic range. This volume offers a new translation of the artist’s illustrated text, along with important research on the preliminary drawings made for the Bauhaus publication, which are now in the possession of the Kunstmuseum Basel. The intensive research on these works of art provides new insights into the history of this creation: when and where were the illustrations done, and what stage in Malevich’s artistic development do they reflect? Malevich’s The World as Objectlessness is a snapshot of a moment in a boundless artistic universe.
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| | | | | | IRSA/Archive of Modern ConflictISBN: 9788389831439 USD $40.00 | CAD $55 UK £ 32Pub Date: 2/1/2022 Active | In stock
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| | Lars Müller PublishersISBN: 9783037786642 USD $50.00 | CAD $75Pub Date: 8/31/2021 Active | In stock
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| | Walther König, KölnISBN: 9783960984375 USD $29.95 | CAD $39.95Pub Date: 6/18/2019 Active | In stock
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FORMAT: Clth, 9.5 x 11.25 in. / 216 pgs / 72 color. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $79 ISBN: 9783775737319 PUBLISHER: Hatje Cantz AVAILABLE: 5/31/2014 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2014 Page 138 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Kazimir Malevich: The World as Objectlessness Published by Hatje Cantz. Text by Simon Bayer, Britta Dümpelmann, Kazimir Malevich. In 1927, Kazimir Malevich (1879–1935)--the creator of the modernist icon "Black Square on a White Ground"--published The World as Objectlessness, his vision of a "world of non-representation," through the Bauhaus publishing arm. For a long time this book was Malevich’s only publication in a Western language, and the title then, somewhat imprecisely translated, was Die gegenstandslose Welt (The Non-Objective World). Malevich described his theory as "the supremacy of pure feeling or perception in the pictorial arts," and emphasized the "feeling" of a work, rather than the depiction of objects, advancing a philosophy that was both anti-material and non-utilitarian, focusing on geometric forms--lines, squares and circles--within a limited chromatic range. This volume offers a new translation of the artist’s illustrated text, along with important research on the preliminary drawings made for the Bauhaus publication, which are now in the possession of the Kunstmuseum Basel. The intensive research on these works of art provides new insights into the history of this creation: when and where were the illustrations done, and what stage in Malevich’s artistic development do they reflect? Malevich’s The World as Objectlessness is a snapshot of a moment in a boundless artistic universe.
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