| | BOOK FORMAT
Clth, 9.5 x 11.75 in. / 208 pgs / 275 color. PUBLISHING STATUS
Pub Date 11/30/2011
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2011 p. 73 PRODUCT DETAILS
ISBN 9783775727662 TRADE
List Price: $150.00 CAD $180.00 AVAILABILITY
Not available | TERRITORY
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| | | Alex Katz: Prints and Works in Editions 1947-2010Catalogue Raisonné
Alex Katz's clear planes of color and simplicity of line are famously well suited to printmaking. For Katz himself, the medium also holds the appeal of distributing his work in greater quantity. His embrace of printmaking was consolidated in the mid-1960s, and led to a voracious exploration of print technologies, including the latest state-of-the-art reproduction processes. Each of these elicits different qualities from Katz's artistic vocabulary: woodcut, for example, yields an emotional tenor not commonly seen elsewhere in his oeuvre, as the traces left by chisel and burn are left legible and accepted by the artist. However, the primary effect of Katz's prints is to enhance his art as a coolly Baudelairean “painting of modern life.” Though he frequently works with professional printing companies, Katz often undertakes the full run of manual labor himself. This volume assesses Katz's history with printmaking and editions, including collaborations with writers.
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FORMAT: Clth, 9.5 x 11.75 in. / 208 pgs / 275 color.
LIST PRICE: U.S. $150.00
LIST PRICE: CANADA $180
ISBN: 9783775727662
PUBLISHER: Hatje Cantz
AVAILABLE: 11/30/2011
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2011 Page 73 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
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| Alex Katz: Prints and Works in Editions 1947-2010
Catalogue Raisonné Published by Hatje Cantz. Alex Katz's clear planes of color and simplicity of line are famously well suited to printmaking. For Katz himself, the medium also holds the appeal of distributing his work in greater quantity. His embrace of printmaking was consolidated in the mid-1960s, and led to a voracious exploration of print technologies, including the latest state-of-the-art reproduction processes. Each of these elicits different qualities from Katz's artistic vocabulary: woodcut, for example, yields an emotional tenor not commonly seen elsewhere in his oeuvre, as the traces left by chisel and burn are left legible and accepted by the artist. However, the primary effect of Katz's prints is to enhance his art as a coolly Baudelairean “painting of modern life.” Though he frequently works with professional printing companies, Katz often undertakes the full run of manual labor himself. This volume assesses Katz's history with printmaking and editions, including collaborations with writers.
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