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| | PUBLISHING STATUS Pub Date 12/15/2005 Out of stock indefinitely DISTRIBUTION D.A.P. Exclusive Catalog: Publisher Backlist PRODUCT DETAILS ISBN 9783037780589 TRADE List Price: $45.00 CAD $60.00 AVAILABILITY Not available | TERRITORY NA ONLY | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Klaus Merkel: Album Of StonesPhotographs by Klaus Merkel.
As in his previous book The Reading of Time in the Text of Nature, photographer and artist Klaus Merkel continues to search for--and record in striking black-and-white photographs--structures in nature and architecture that, no matter where they are, exhibit overlapping patterns and configurations, significant deviations and parallels, and resonate in juxtaposition. In this book, he has turned his attention to stones, rock landscapes, as well as man made objects, such as temples, ruins and churches. It is a process that he insists takes patience, sometimes years, both in allowing the force of the photograph to make itself felt over time and in seeking the perfect pair, the other photograph that will reverberate with another in tandem. A creative dialogue unfolds. The pairs of pictures grow together completely imperceptibly and naturally.
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| | STATUS: Out of stock indefinitely. | |
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FORMAT: LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $60 ISBN: 9783037780589 PUBLISHER: Lars Müller Publishers AVAILABLE: 12/15/2005 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: NA ONLY | D.A.P. CATALOG: lisher Backlist 0000 Page 104 | PRESS INQUIRIES
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| Klaus Merkel: Album Of Stones Published by Lars Müller Publishers. Photographs by Klaus Merkel. As in his previous book The Reading of Time in the Text of Nature, photographer and artist Klaus Merkel continues to search for--and record in striking black-and-white photographs--structures in nature and architecture that, no matter where they are, exhibit overlapping patterns and configurations, significant deviations and parallels, and resonate in juxtaposition. In this book, he has turned his attention to stones, rock landscapes, as well as man made objects, such as temples, ruins and churches. It is a process that he insists takes patience, sometimes years, both in allowing the force of the photograph to make itself felt over time and in seeking the perfect pair, the other photograph that will reverberate with another in tandem. A creative dialogue unfolds. The pairs of pictures grow together completely imperceptibly and naturally.
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