A comprehensive look at the early career of a rising star in contemporary Black portraiture
This is the first monograph on the practice of young American painter Khalif Tahir Thompson (born 1995), who will receive an MFA from the Yale School of Art in the spring of 2024. With several solo exhibitions and artwork in museum permanent collections, Thompson is already prolific. His paintings are populated by Black figures set in colorful, shimmering environments that sometimes resemble patchworks verging on abstraction. They incorporate multiple materials apart from oil and acrylic, including handmade paper, pearls, fabric, velvet, newspaper and leather. Whether isolated or in a group, candid or posed, each figure is imbued with an innate identity. Says Thompson of his work: “I believe painting can be a tool in considering the emotional, psychological complexity of an individual’s story and identity … I alter perception and invoke empathy towards my subjects, depicting their reality across a visceral lens.”
in stock $45.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
FORMAT: Hbk, 9 x 11.5 in. / 160 pgs / 100 color. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $65 ISBN: 9782370742308 PUBLISHER: SKIRA AVAILABLE: 4/23/2024 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA
A comprehensive look at the early career of a rising star in contemporary Black portraiture
This is the first monograph on the practice of young American painter Khalif Tahir Thompson (born 1995), who will receive an MFA from the Yale School of Art in the spring of 2024. With several solo exhibitions and artwork in museum permanent collections, Thompson is already prolific. His paintings are populated by Black figures set in colorful, shimmering environments that sometimes resemble patchworks verging on abstraction. They incorporate multiple materials apart from oil and acrylic, including handmade paper, pearls, fabric, velvet, newspaper and leather. Whether isolated or in a group, candid or posed, each figure is imbued with an innate identity. Says Thompson of his work: “I believe painting can be a tool in considering the emotional, psychological complexity of an individual’s story and identity … I alter perception and invoke empathy towards my subjects, depicting their reality across a visceral lens.”
