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Clth, 8.25 x 12 in. / 112 pgs / 60 color. PUBLISHING STATUS
Pub Date 9/5/2023
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Catalog: FALL 2023 p. 109 PRODUCT DETAILS
ISBN 9781941753583 TRADE
List Price: $45.00 CAD $65.00 GBP £40.00 AVAILABILITY
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Canada, 06/01/23–07/22/23 | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Denzil HurleyIntroduction by Wallace Whitney. Text by Robert Storr, Denzil Hurley, Gervais Marsh.
 On the late post-conceptual paintings of the influential artist and educatorThe Barbados-born, Seattle-based painter Denzil Hurley (1949–2021) was a quietly influential figure in the art world throughout his life, dedicating much of his time to teaching at the University of Washington and to championing other artists.
Hurley’s interests in modular forms and structures involving squares and rectangles led him to consider the interconnectivity and conjunctions of paintings and signs, material and meaning, presence and absence, and the languages of painting and speech.
Published in tandem with an exhibition of his work at Canada, this book is the first major publication on Hurley. The catalog focuses on Hurley’s final paintings, a mixture of reductive post-conceptual painting and provisional construction methods of the African diaspora, including his spare "stick" and "glyphs" series.
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FORMAT: Clth, 8.25 x 12 in. / 112 pgs / 60 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $65
GBP £40.00
ISBN: 9781941753583
PUBLISHER: Inventory Press/Canada
AVAILABLE: 9/5/2023
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: WORLD | D.A.P. CATALOG: FALL 2023 Page 109 | PRESS INQUIRIES
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| Denzil Hurley Published by Inventory Press/Canada.
Introduction by Wallace Whitney. Text by Robert Storr, Denzil Hurley, Gervais Marsh. On the late post-conceptual paintings of the influential artist and educator The Barbados-born, Seattle-based painter Denzil Hurley (1949–2021) was a quietly influential figure in the art world throughout his life, dedicating much of his time to teaching at the University of Washington and to championing other artists.
Hurley’s interests in modular forms and structures involving squares and rectangles led him to consider the interconnectivity and conjunctions of paintings and signs, material and meaning, presence and absence, and the languages of painting and speech.
Published in tandem with an exhibition of his work at Canada, this book is the first major publication on Hurley. The catalog focuses on Hurley’s final paintings, a mixture of reductive post-conceptual painting and provisional construction methods of the African diaspora, including his spare "stick" and "glyphs" series.
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