Edited by Damon Murray, Stephen Sorrell. Text by Anna Benn. Photographs by Fyodor Savintsev.
An astonishing photographic record of a form of wooden architecture rapidly vanishing from the post-Soviet landscape
A dacha is a country house, made of wood, used by Soviet citizens to escape the rigors of the city for a rural idyll. Widespread in the countries of the former USSR, this important cultural and architectural form has been largely ignored academically. In Dacha, Fyodor Savintsev documents this particularly Russian phenomenon. His photographs constitute a unique record of a rapidly vanishing fairy-tale wooden world. The word "dacha" has been used to describe constructions ranging from grand imperial villas to small sheds. Originally bestowed by the Tsar to reward courtiers, this custom continued following the revolution, with Soviet cooperatives building dachas for their members. Supposedly for the benefit of laborers, in reality they were destined for those favored by the State, including famous writers, architects and artists from Pasternak to Prokofiev. The fall of the Soviet Union accelerated their use, as economic uncertainty forced city dwellers toward self-sufficiency. The dacha tradition has survived revolution, war and the collapse of Communism, becoming an integral part of life in the process. Using contemporary photographs to showcase these uniquely individual buildings for the first time, alongside an introduction explaining their historical and cultural context, Dacha is the only publication of its kind.
PRAISE AND REVIEWS
Design Boom
Christina Petridou
The Dacha book includes an introductory essay and archive images by Anna Benn, providing a well-rounded look at the dacha phenomenon, emphasizing that it’s not just a style of architecture but a way of life deeply ingrained in Russian culture and history.
Guardian
Mee-Lai Stone
Widespread in the countries of the former USSR, this important cultural and architectural form has been largely ignored academically.
Hyperallergic
Sarah Rose Sharp
Dacha: The Soviet Country Cottage captures what might well be a dying tradition of architecture and culture, but it also calls to the deep nostalgia that many Russians maintain around the country home way of life. Whether the architecture of the dacha can withstand the process of modernization, it seems that dacha-as-idea will always maintain a cultural stronghold.
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FORMAT: Hbk, 8 x 6.5 in. / 240 pgs / 215 color. LIST PRICE: U.S. $35.95 LIST PRICE: CANADA $51.95 ISBN: 9781916218499 PUBLISHER: FUEL Publishing AVAILABLE: 9/19/2023 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
Published by FUEL Publishing. Edited by Damon Murray, Stephen Sorrell. Text by Anna Benn. Photographs by Fyodor Savintsev.
An astonishing photographic record of a form of wooden architecture rapidly vanishing from the post-Soviet landscape
A dacha is a country house, made of wood, used by Soviet citizens to escape the rigors of the city for a rural idyll. Widespread in the countries of the former USSR, this important cultural and architectural form has been largely ignored academically. In Dacha, Fyodor Savintsev documents this particularly Russian phenomenon. His photographs constitute a unique record of a rapidly vanishing fairy-tale wooden world.
The word "dacha" has been used to describe constructions ranging from grand imperial villas to small sheds. Originally bestowed by the Tsar to reward courtiers, this custom continued following the revolution, with Soviet cooperatives building dachas for their members. Supposedly for the benefit of laborers, in reality they were destined for those favored by the State, including famous writers, architects and artists from Pasternak to Prokofiev. The fall of the Soviet Union accelerated their use, as economic uncertainty forced city dwellers toward self-sufficiency.
The dacha tradition has survived revolution, war and the collapse of Communism, becoming an integral part of life in the process. Using contemporary photographs to showcase these uniquely individual buildings for the first time, alongside an introduction explaining their historical and cultural context, Dacha is the only publication of its kind.
