| | BOOK FORMAT Cloth, 9.5 x 11 in. / 208 pgs / Illustrated throughout PUBLISHING STATUS Pub Date 4/7/2015 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: Publisher Backlist PRODUCT DETAILS ISBN 9781907533976 TRADE List Price: $55.00 CAD $70.00 AVAILABILITY Not available | TERRITORY NA ONLY | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Stanley Anderson: Prints: A Catalogue RaisonneText by Robert Meyrick.
Despite having lived through some of the most dramatic changes of the 20th century, Stanley Anderson (1884-1966) created a vision of an essentially timeless English rural tradition in his etchings and woodcuts. Anderson was a key figure in the revival of engraving in the 1920s, and the technique’s exacting craftsmanship, intimate scale, and indelible sense of historicism were a stark contrast to the modernist explosion. This catalogue raisonné gathers, for the first time, the complete oeuvre of Anderson’s prints, from the townscapes of his early career to his fascinating 20-year study of rural crafts, including hedge-laying, carpentry, and barrel-making.
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FORMAT: Cloth, 9.5 x 11 in. / 208 pgs / Illustrated throughout LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $70 ISBN: 9781907533976 PUBLISHER: Royal Academy Publications AVAILABLE: 4/7/2015 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA ONLY | D.A.P. CATALOG: lisher Backlist 0000 | PRESS INQUIRIES
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| Stanley Anderson: Prints: A Catalogue Raisonne Published by Royal Academy Publications. Text by Robert Meyrick. Despite having lived through some of the most dramatic changes of the 20th century, Stanley Anderson (1884-1966) created a vision of an essentially timeless English rural tradition in his etchings and woodcuts. Anderson was a key figure in the revival of engraving in the 1920s, and the technique’s exacting craftsmanship, intimate scale, and indelible sense of historicism were a stark contrast to the modernist explosion. This catalogue raisonné gathers, for the first time, the complete oeuvre of Anderson’s prints, from the townscapes of his early career to his fascinating 20-year study of rural crafts, including hedge-laying, carpentry, and barrel-making.
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