| | BOOK FORMAT
Cloth, 9.75 x 11.25 / 128 pgs / Illustrated throughout PUBLISHING STATUS
Pub Date 12/17/2013
Out of print DISTRIBUTION
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ISBN 9781907533471 TRADE
List Price: $55.00 CAD $72.50 AVAILABILITY
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| | | Craigie Aitchison: Prints: A Catalogue RaisonneBy Craigie Aitchison.
The painter and printmaker Craigie Aitchison (1926–2009) is best known for his spare compositions and intense, luminous palette. His subject matter is equally distinctive—single flowers, Bedlington terriers, sheep, and crucifixions—rendered, as in the Italian religious icons that he so admired, in simple but powerful forms. These hallmarks are readily present in Aitchison’s prints, most of which are the legacy of his longstanding relationship with the master printers at Advanced Graphics, London. All the prints are brought together for the first time in this handsome catalogue raisonné, which also includes an introduction by Andrew Lambirth exploring the importance of printmaking in Aitchison’s career.
Andrew Lambirth is art critic for The Spectator and a long-time friend of Craigie Aitchison. His many books include Nigel Hall: Sculpture and Works on Paper and Barbara Rae: Prints.
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FORMAT: Cloth, 9.75 x 11.25 / 128 pgs / Illustrated throughout
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $72.5
ISBN: 9781907533471
PUBLISHER: Royal Academy Publications
AVAILABLE: 12/17/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Craigie Aitchison: Prints: A Catalogue Raisonne Published by Royal Academy Publications.
By Craigie Aitchison. The painter and printmaker Craigie Aitchison (1926–2009) is best known for his spare compositions and intense, luminous palette. His subject matter is equally distinctive—single flowers, Bedlington terriers, sheep, and crucifixions—rendered, as in the Italian religious icons that he so admired, in simple but powerful forms. These hallmarks are readily present in Aitchison’s prints, most of which are the legacy of his longstanding relationship with the master printers at Advanced Graphics, London. All the prints are brought together for the first time in this handsome catalogue raisonné, which also includes an introduction by Andrew Lambirth exploring the importance of printmaking in Aitchison’s career.
Andrew Lambirth is art critic for The Spectator and a long-time friend of Craigie Aitchison. His many books include Nigel Hall: Sculpture and Works on Paper and Barbara Rae: Prints.
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