Text by Enrique Juncosa, Seán Kissane, Gerard Houghton, Yacouba Konatè, André Magnin.
Romuald Hazoumé (born 1962), one of Africa's leading visual artists, has worked with many media throughout his career, but it is for his assemblage-masks that he is best known. These masks consist of discarded oil cans ubiquitous objects in Benin, which Hazoumé repositions to resemble faces. The use of oil cans implicitly criticizes the presence of multinational oil companies in west Africa.
FORMAT: Pbk, 7.5 x 9.5 in. / 160 pgs / illustrated throughout. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $54 GBP £35.00 ISBN: 9781907020520 PUBLISHER: Irish Museum of Modern Art AVAILABLE: 7/31/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: WORLD
Published by Irish Museum of Modern Art. Text by Enrique Juncosa, Seán Kissane, Gerard Houghton, Yacouba Konatè, André Magnin.
Romuald Hazoumé (born 1962), one of Africa's leading visual artists, has worked with many media throughout his career, but it is for his assemblage-masks that he is best known. These masks consist of discarded oil cans ubiquitous objects in Benin, which Hazoumé repositions to resemble faces. The use of oil cans implicitly criticizes the presence of multinational oil companies in west Africa.
