| | BOOK FORMAT
Clth, 9.63 x 11.63 in. / 256 pgs / 200 color. PUBLISHING STATUS
Pub Date 8/1/2012
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ISBN 9781905464609 TRADE
List Price: $49.95 CAD $67.50 AVAILABILITY
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| | | Anya GallaccioText by Jan Van Adrichem.
Anya Gallaccio’s ephemeral installations and sculptures over her 20-year career use nature’s uncertain qualities to embrace new forms and question contemporary society.British installation artist Anya Gallaccio works largely with natural materials – typically flowers, trees, sugar and salt – to create often site-specific installations which focus on the decomposition and transformation of the work itself.This monograph comprehensively catalogues the artist’s work over her 20-year career span. Alongside a full-colour plate section, the publication features a conversation between the artist and Clarrie Wallis, as well as new texts by Lucia Sanroman, who investigates the role of the landscape in Gallaccio’s work; Norman Bryson who analyses the notion of ‘psychic fantasy’ in the installation blessed (1999); Briony Fer who discusses the artist’s use of natural light and earth; and Jan van Adrichem who looks at Gallaccio’s move into bronze casts.
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FORMAT: Clth, 9.63 x 11.63 in. / 256 pgs / 200 color.
LIST PRICE: U.S. $49.95
LIST PRICE: CANADA $67.5
ISBN: 9781905464609
PUBLISHER: Ridinghouse
AVAILABLE: 8/1/2012
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
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| Anya Gallaccio Published by Ridinghouse.
Text by Jan Van Adrichem. Anya Gallaccio’s ephemeral installations and sculptures over her 20-year career use nature’s uncertain qualities to embrace new forms and question contemporary society.British installation artist Anya Gallaccio works largely with natural materials – typically flowers, trees, sugar and salt – to create often site-specific installations which focus on the decomposition and transformation of the work itself.This monograph comprehensively catalogues the artist’s work over her 20-year career span. Alongside a full-colour plate section, the publication features a conversation between the artist and Clarrie Wallis, as well as new texts by Lucia Sanroman, who investigates the role of the landscape in Gallaccio’s work; Norman Bryson who analyses the notion of ‘psychic fantasy’ in the installation blessed (1999); Briony Fer who discusses the artist’s use of natural light and earth; and Jan van Adrichem who looks at Gallaccio’s move into bronze casts.
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