| | BOOK FORMAT
Clth, 9.63 x 11.63 in. / 256 pgs / 300 color. PUBLISHING STATUS
Pub Date 12/7/2009
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ISBN 9781905464265 TRADE
List Price: $60.00 CAD $85.00 AVAILABILITY
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| | | Bob Law: A Retrospective
Characterised by an economy of representational means, Bob Law’s Field works use line to convey space and mark time.
During Law’s stay at St Ives in the late 1950s, the artist developed a series of Field drawings that reduced elements observed in the surrounding landscape – the sun, trees and clouds – into a set of abstract signs held within a rhomboid frame. The series was, in Law’s words, ‘about the position of myself on the face of the earth and the environmental conditions around me’.
Using a thickly drawn line to contain and delimit the almost-blank pictorial field, Law refined his early abstract language in subsequent monochrome works, from ‘open’ and ‘closed’ drawings to the monumental paintings of the Mister Paranoia series.
Accompanying an exhibition at Thomas Dane Gallery, London (9 October – 7 November 2015), this volume draws together over 20 works by Law and includes an essay by Douglas Fogle, which focuses on the artist’s pursuit of the void’s poetic possibilities.
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|  | STATUS: Out of stock indefinitely. | |
| | | |  | RidinghouseISBN: 9781909932180
USD $19.95 | CAD $29.95Pub Date: 12/1/2015
Active | In stock
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FORMAT: Clth, 9.63 x 11.63 in. / 256 pgs / 300 color.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $85
ISBN: 9781905464265
PUBLISHER: Ridinghouse
AVAILABLE: 12/7/2009
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
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| Bob Law: A Retrospective Published by Ridinghouse. Characterised by an economy of representational means, Bob Law’s Field works use line to convey space and mark time.
During Law’s stay at St Ives in the late 1950s, the artist developed a series of Field drawings that reduced elements observed in the surrounding landscape – the sun, trees and clouds – into a set of abstract signs held within a rhomboid frame. The series was, in Law’s words, ‘about the position of myself on the face of the earth and the environmental conditions around me’.
Using a thickly drawn line to contain and delimit the almost-blank pictorial field, Law refined his early abstract language in subsequent monochrome works, from ‘open’ and ‘closed’ drawings to the monumental paintings of the Mister Paranoia series.
Accompanying an exhibition at Thomas Dane Gallery, London (9 October – 7 November 2015), this volume draws together over 20 works by Law and includes an essay by Douglas Fogle, which focuses on the artist’s pursuit of the void’s poetic possibilities.
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