| | BOOK FORMAT Cloth, 9.5 x 11 in. / 114 pgs / Illustrated throughout PUBLISHING STATUS Pub Date 9/1/2005 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: Publisher Backlist PRODUCT DETAILS ISBN 9781903973608 TRADE List Price: $45.00 CAD $57.50 AVAILABILITY Not available | TERRITORY NA ONLY | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Impressionism In Boston 1860-1910Text by Erica Hirshler.
The Museum of Fine Arts in Boston possesses one of the world's finest collections of 19th-century French and American art, with works by Degas, Manet, Pissarro, Renoir, Sisley, and Sargent. This colorful book, the first published on the collection, illustrates many of its highlights. Author Erica Hirshler outlines the history of the collection and considers the taste in Boston for atmospheric landscapes which, by the late 1880s, had led young Boston painters like Childe Hassam to Monet's door. Their willingness to embrace Impressionism helped to popularize this style of painting throughout the United States. All the high points of Boston's 19th-century collections are revealed here, with works by the leading French Impressionist painters and their American counterparts.
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FORMAT: Cloth, 9.5 x 11 in. / 114 pgs / Illustrated throughout LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $57.5 ISBN: 9781903973608 PUBLISHER: Royal Academy Publications AVAILABLE: 9/1/2005 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA ONLY | D.A.P. CATALOG: lisher Backlist 0000 | PRESS INQUIRIES
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| Impressionism In Boston 1860-1910 Published by Royal Academy Publications. Text by Erica Hirshler. The Museum of Fine Arts in Boston possesses one of the world's finest collections of 19th-century French and American art, with works by Degas, Manet, Pissarro, Renoir, Sisley, and Sargent. This colorful book, the first published on the collection, illustrates many of its highlights.
Author Erica Hirshler outlines the history of the collection and considers the taste in Boston for atmospheric landscapes which, by the late 1880s, had led young Boston painters like Childe Hassam to Monet's door. Their willingness to embrace Impressionism helped to popularize this style of painting throughout the United States.
All the high points of Boston's 19th-century collections are revealed here, with works by the leading French Impressionist painters and their American counterparts.
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