Edited with text by Tracy L. Adler. Text by Lauren Haynes. Interview by LeRonn P. Brooks.
Klos unravels American histories of Black labor in brilliantly executed print-based collages and sculptures that mark new creative terrain for the artist
This book features a recent body of work by New York–based artist Yashua Klos (born 1977) and builds upon the artist’s explorations into the intersections between the human form, the natural world and the built environment. Foregrounding a series of print-based and sculptural works, Yashua Klos: Our Labour considers how familial, geographic and narrative histories inform notions of identity. Klos employs a process of collaging woodblock prints to engage ideas about Blackness and maleness as identities that are both fragmented and constructed. In this volume, Klos introduces works conceived around an examination of creative and industrial labor through both deeply personal and historic lenses.
in stock $60.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
FORMAT: Hbk, 10 x 12 in. / 192 pgs / 94 color / 3 b&w. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $87 GBP £54.00 ISBN: 9781636811031 PUBLISHER: DelMonico Books/Wellin Museum of Art, Hamilton College AVAILABLE: 10/3/2023 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by DelMonico Books/Wellin Museum of Art, Hamilton College. Edited with text by Tracy L. Adler. Text by Lauren Haynes. Interview by LeRonn P. Brooks.
Klos unravels American histories of Black labor in brilliantly executed print-based collages and sculptures that mark new creative terrain for the artist
This book features a recent body of work by New York–based artist Yashua Klos (born 1977) and builds upon the artist’s explorations into the intersections between the human form, the natural world and the built environment.
Foregrounding a series of print-based and sculptural works, Yashua Klos: Our Labour considers how familial, geographic and narrative histories inform notions of identity. Klos employs a process of collaging woodblock prints to engage ideas about Blackness and maleness as identities that are both fragmented and constructed. In this volume, Klos introduces works conceived around an examination of creative and industrial labor through both deeply personal and historic lenses.