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ApertureBOOK FORMAT
Boxed, 9.5 x 12.25 in. / 240 pgs / 142 color / Ed of 750 copies. PUBLISHING STATUS
Pub Date 8/31/2013
No longer our product DISTRIBUTION
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Catalog: PRODUCT DETAILS
ISBN 9781597112383 SDNR30
List Price: $200.00 CAD $240.00 AVAILABILITY
Not Available | “The beauty of the landscape of the Congo is a fundamental presence in The Enclave, but it is a beauty that belies the horrors that are hidden in the bush.” -Anna O’Sullivan |
| | | APERTURERichard Mosse: The EnclaveText by Jason Stearns, Anna O'Sullivan. Music by Ben Frost.
 For the last three years, Richard Mosse (born 1980) has photographed in eastern Democratic Republic of Congo, a region in which a long-standing power vacuum has resulted in a horrifying cycle of violence. The Enclave is the culmination of Mosse’s recent efforts to radically rethink traditional representations of conflict photography, drawing on artistic and documentary strategies in equal measure. Shooting with both still and 16 mm cameras, he uses a discontinued military surveillance film, which registers an invisible spectrum of infrared light. Mosse has captured the landscape in disorienting psychedelic hues of scarlet, lavender, cobalt and puce, creating images that are deceptively seductive and alluring. Ultimately, however, the resulting images and film map the otherwise invisible edges of violence, chaos and incommunicable horror of isolated, jungle war zones. At the heart of the project, as Mosse states, is his exploration of the contradictions and limits of art’s ability “to represent narratives so painful that they exist beyond language--and photography’s capacity to document specific tragedies and communicate them to the world.” The Enclave has been printed in a total of 1,000 copies, 250 of which have been released as part of a limited-edition boxed set. The boxed set includes a 45 rpm record with sound and music design by Ben Frost; a poster featuring an image by Richard Mosse (depicted at left) and a transcription from the film; and a signed and numbered copy of the book, released to coincide with an installation of the work at the Venice Biennale.
Featured image is reproduced from Richard Mosse: The Enclave. |
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FORMAT: Boxed, 9.5 x 12.25 in. / 240 pgs / 142 color / Ed of 750 copies.
LIST PRICE: U.S. $200.00
LIST PRICE: CANADA $240
ISBN: 9781597112383
PUBLISHER: Aperture
AVAILABLE: 8/31/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR30
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not Available
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| Richard Mosse: The Enclave Published by Aperture.
Text by Jason Stearns, Anna O'Sullivan. Music by Ben Frost. For the last three years, Richard Mosse (born 1980) has photographed in eastern Democratic Republic of Congo, a region in which a long-standing power vacuum has resulted in a horrifying cycle of violence. The Enclave is the culmination of Mosse’s recent efforts to radically rethink traditional representations of conflict photography, drawing on artistic and documentary strategies in equal measure. Shooting with both still and 16 mm cameras, he uses a discontinued military surveillance film, which registers an invisible spectrum of infrared light. Mosse has captured the landscape in disorienting psychedelic hues of scarlet, lavender, cobalt and puce, creating images that are deceptively seductive and alluring. Ultimately, however, the resulting images and film map the otherwise invisible edges of violence, chaos and incommunicable horror of isolated, jungle war zones. At the heart of the project, as Mosse states, is his exploration of the contradictions and limits of art’s ability “to represent narratives so painful that they exist beyond language--and photography’s capacity to document specific tragedies and communicate them to the world.” The Enclave has been printed in a total of 1,000 copies, 250 of which have been released as part of a limited-edition boxed set. The boxed set includes a 45 rpm record with sound and music design by Ben Frost; a poster featuring an image by Richard Mosse (depicted at left) and a transcription from the film; and a signed and numbered copy of the book, released to coincide with an installation of the work at the Venice Biennale.
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