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GREY ART GALLERY, NEW YORK UNIVERSITY
Soto: Paris and Beyond, 1950-1970
Edited by Estrellita B. Brodsky. Text by Estrellita B. Brodsky, Sarah K. Rich.
Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and exchanges with, other members of the avant-garde. Soto’s achievements in the field of interactive art established his reputation as both an international exponent of kinetic art and one of the most influential Latin American artists of the twentieth century. This fully illustrated catalogue includes essays by curator Estrellita B. Brodsky and art historian Sarah K. Rich.
Featured image, a detail of "Blue and Black Log" (1960), is reproduced from Soto: Paris and Beyond, 1950-1970.
FORMAT: Hbk, 10.25 x 11.25 in. / 144 pgs / 74 color / 22 b&w. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $55 ISBN: 9780934349161 PUBLISHER: Grey Art Gallery, New York University AVAILABLE: 8/31/2012 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: WORLD
Published by Grey Art Gallery, New York University. Edited by Estrellita B. Brodsky. Text by Estrellita B. Brodsky, Sarah K. Rich.
Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and exchanges with, other members of the avant-garde. Soto’s achievements in the field of interactive art established his reputation as both an international exponent of kinetic art and one of the most influential Latin American artists of the twentieth century. This fully illustrated catalogue includes essays by curator Estrellita B. Brodsky and art historian Sarah K. Rich.
