| | BOOK FORMAT Hardback, 8.5 x 9.5 in. / 224 pgs / 162 color. PUBLISHING STATUS Pub Date 1/10/2008 Out of stock indefinitely DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2008 p. 82 PRODUCT DETAILS ISBN 9780878467242 TRADE List Price: $60.00 CAD $79.00 GBP £53.00 AVAILABILITY Not available | TERRITORY WORLD | EXHIBITION SCHEDULEBoston Museum of Fine Arts Boston, 1/30/08-6/1/08
New York The Metropolitan Museum of Art, 9/23/08–12/07/08
Miami The Wolfsonian, Florida International University, 11/21/09-02/28/10 | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Rhythms of Modern LifeBritish Prints, 1914-1939Text by Clifford S. Ackley, Stephen Coppel, Thomas E. Rassieur, Samantha Rippner.
It is little known that interbellum Britain hosted a generation of Modernist artists who absorbed the wealth of Continental avant-garde idioms and adapted them to their own unique ends. Some of this work was done under the rubric of Vorticism, the Neofuturist movement spearheaded by Wyndham Lewis, while other artists were closely associated with London’s Grosvenor School of Art (and so came to be known collectively as the Grosvenor School), breaking new ground in the practice of linocut. Rhythms of Modern Life examines the impact of Cubism and Futurism on British printmaking in the years between the First and Second World Wars, focusing in particular on the dynamic imagery of 13 artists, including C.R.W. Nevinson, Paul Nash, Edward Wadsworth and David Bomberg, all early followers of Italian Futurism and British Vorticism, and on the works of Grosvenor School artists Claude Flight, Sybil Andrews, Cyril Power and Lill Tschudi. All of these artists coined styles that addressed the velocity of modern life, espousing industry, speed and an optimism for the century ahead. This book, the first survey of its kind, features more than 100 lithographs, etchings, woodcuts and linocuts, ranging from geometric abstractions to forceful impressions of the first fully mechanized war, Jazz Age images of sporting events, speed trials and other contemporary diversions. Clifford S. Ackley’s introduction takes stock of the art historical moment and is followed by discussions of the prints, an overview of the history and technique of the modern linocut and short biographies of the artists.
PRAISE AND REVIEWSNew York Times Book Review Steven Heller A valuable look at a movement that constituted 'a unique and vibrant moment in British modernism'…This art for a new, jazzy age was a radical departure from the stylistic stranglehold of Victorianism. |
| | STATUS: Out of stock indefinitely. | |
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