| | BOOK FORMAT
Paperback, 9.5 x 11 in. / 224 pgs / 180 color. PUBLISHING STATUS
Pub Date 8/15/2006
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2006 p. 132 PRODUCT DETAILS
ISBN 9788889431368 TRADE
List Price: $45.00 CAD $55.00 AVAILABILITY
Not available | TERRITORY
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| | | Feng ZhengjieEssays by Eleonora Battiston and Zhu Qi-Pi Li. Introduction by Lu Peng. Interviews by Li Xainting and Chiba Sheigo.
Feng Zhengjie, whose work appears on the cover of 2005's China: The New Contemporary Painting, represents international trends toward borrowing and riffing on bygone styles--and the return to painterly technique--as much as he does his country's blooming contemporary art scene. His sources include posters of Shanghai in the 1930s and contemporary wedding photography, and the bright, streamlined style with which he addresses their conventions has the look of polished fashion imagery, an airbrushed 1980s feeling that's gotten increasingly eerie in recent years as his subjects' irises and pupils have shrunk to little dots on largely white eyes, giving them a glassy, doll-like look. Eleonora Battiston writes, "Their eyes change and follow the artist's transformations...year by year, with different thoughts, looking towards and within his country's history and culture."
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FORMAT: Paperback, 9.5 x 11 in. / 224 pgs / 180 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9788889431368
PUBLISHER: Damiani
AVAILABLE: 8/15/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2006 Page 132 | PRESS INQUIRIES
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| Feng Zhengjie Published by Damiani.
Essays by Eleonora Battiston and Zhu Qi-Pi Li. Introduction by Lu Peng. Interviews by Li Xainting and Chiba Sheigo. Feng Zhengjie, whose work appears on the cover of 2005's China: The New Contemporary Painting, represents international trends toward borrowing and riffing on bygone styles--and the return to painterly technique--as much as he does his country's blooming contemporary art scene. His sources include posters of Shanghai in the 1930s and contemporary wedding photography, and the bright, streamlined style with which he addresses their conventions has the look of polished fashion imagery, an airbrushed 1980s feeling that's gotten increasingly eerie in recent years as his subjects' irises and pupils have shrunk to little dots on largely white eyes, giving them a glassy, doll-like look. Eleonora Battiston writes, "Their eyes change and follow the artist's transformations...year by year, with different thoughts, looking towards and within his country's history and culture."
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