| | PUBLISHER
Charta/ Irish Museum of Modern ArtBOOK FORMAT
Paperback, 6 x 8.25 in. / 64 pgs / 6 color / 7 bw. PUBLISHING STATUS
Pub Date 1/1/2007
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 157 PRODUCT DETAILS
ISBN 9788881585861 TRADE
List Price: $24.95 CAD $27.50 AVAILABILITY
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| | | CHARTA/ IRISH MUSEUM OF MODERN ARTRacheal Thomas Interviews Michael Craig-MartinForeword by Enrique Juncosa.
This book-length conversation, interspersed with images, explores Michael Craig-Martin's fascination with fundamental questions regarding the nature of art, representation, authorship and the role of the viewer. Craig-Martin, born in Dublin and educated at Yale, was a key figure in the first generation of British Conceptual artists. He became known for bright, flat paintings not unlike Roy Lichtenstein's, which are in the collections of The Museum of Modern Art, New York and the Tate Modern, among other institutions. He also eventually began to teach at Goldsmiths College, where he helped to mold the minds of Tracey Emin and Damien Hirst, among other future Young British Artists. In discussing his style of detached Conceptualism, he reveals, among other things, his connections to Minimalism and the influence John Cage and Josef Albers on both his practice and his teaching.
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| | | | OF RELATED INTEREST |  Kunsthaus BregenzISBN: 9783865600851
USD $65.00 | CAD $75Pub Date: 10/15/2006
Out of print | Not available
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FORMAT: Paperback, 6 x 8.25 in. / 64 pgs / 6 color / 7 b&w.
LIST PRICE: U.S. $24.95
LIST PRICE: CANADA $27.5
ISBN: 9788881585861
PUBLISHER: Charta/ Irish Museum of Modern Art
AVAILABLE: 1/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
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| Racheal Thomas Interviews Michael Craig-Martin Published by Charta/ Irish Museum of Modern Art.
Foreword by Enrique Juncosa. This book-length conversation, interspersed with images, explores Michael Craig-Martin's fascination with fundamental questions regarding the nature of art, representation, authorship and the role of the viewer. Craig-Martin, born in Dublin and educated at Yale, was a key figure in the first generation of British Conceptual artists. He became known for bright, flat paintings not unlike Roy Lichtenstein's, which are in the collections of The Museum of Modern Art, New York and the Tate Modern, among other institutions. He also eventually began to teach at Goldsmiths College, where he helped to mold the minds of Tracey Emin and Damien Hirst, among other future Young British Artists. In discussing his style of detached Conceptualism, he reveals, among other things, his connections to Minimalism and the influence John Cage and Josef Albers on both his practice and his teaching.
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