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| | PUBLISHER ChartaBOOK FORMAT Paperback, 9 x 11 in. / 136 pgs / 58 color and 64 bw. PUBLISHING STATUS Pub Date 9/15/2006 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2006 p. 111 PRODUCT DETAILS ISBN 9788881585557 TRADE List Price: $45.00 CAD $55.00 AVAILABILITY Not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | CHARTAAnselm Kiefer: MerkabaEssays by Lia Rumma, Marco Belpoliti, Roberto Andreotti, Frederico De Melis and Fabrizio Tramontano.
In the chaos of Milan's swiftly-converting industrial quarter, one massive space has been set aside for contemporary art. Merkaba documents Hangar Bicocca's first installation, the seven title towers, from the prototype stage to installation by cranes and pulleys to the spotlight. Each precarious-looking spire of cement and lead boxes has a name of its own as well. "Falling Stars," "Sternenlager," "Die Sefiroth," "Tzim-Tzum," "Shevirat Ha-Kelim," "Tiqqun" and "The Seven Heavenly Palaces." Their towering silhouettes, some as many as 50 feet high, are as mystical as their titles suggest, but they also seem to make reference to all that is changing and staying the same in the city where they stand, home both to early sacred and secular towers and contemporary skyscrapers. Kiefer, known best for his reckonings with German history, proves that he can work the same alchemy elsewhere.
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FORMAT: Paperback, 9 x 11 in. / 136 pgs / 58 color and 64 b&w. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $55 ISBN: 9788881585557 PUBLISHER: Charta AVAILABLE: 9/15/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
| D.A.P. CATALOG: FALL 2006 Page 111 | PRESS INQUIRIES
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| Anselm Kiefer: Merkaba Published by Charta. Essays by Lia Rumma, Marco Belpoliti, Roberto Andreotti, Frederico De Melis and Fabrizio Tramontano. In the chaos of Milan's swiftly-converting industrial quarter, one massive space has been set aside for contemporary art. Merkaba documents Hangar Bicocca's first installation, the seven title towers, from the prototype stage to installation by cranes and pulleys to the spotlight. Each precarious-looking spire of cement and lead boxes has a name of its own as well. "Falling Stars," "Sternenlager," "Die Sefiroth," "Tzim-Tzum," "Shevirat Ha-Kelim," "Tiqqun" and "The Seven Heavenly Palaces." Their towering silhouettes, some as many as 50 feet high, are as mystical as their titles suggest, but they also seem to make reference to all that is changing and staying the same in the city where they stand, home both to early sacred and secular towers and contemporary skyscrapers. Kiefer, known best for his reckonings with German history, proves that he can work the same alchemy elsewhere.
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