| | PUBLISHER Charta/Fondazione Querini StampaliaBOOK FORMAT Paperback, 4.75 x 7 in. / 232 pgs / 17 color / 23 bw. PUBLISHING STATUS Pub Date 4/1/2006 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2006 p. 155 PRODUCT DETAILS ISBN 9788881585526 TRADE List Price: $39.95 CAD $50.00 AVAILABILITY Not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | CHARTA/FONDAZIONE QUERINI STAMPALIARemo Salvadori: The Observer not the Object ObservedEdited by Chiara Bertola. Essays by Maura Manzelle, Gianluca Poldi, Antonella Commellato and Giuseppe Leonelli.
To leaf through this book is to journey into the world of Remo Salvadori, where reading--observing--is as intimate and creative a process as making art. The Observer not the Object Observed centers on the titular work, seminal and still resoundingly topical some 25 years after its creation: in shifting the observer, active in the experience of "seeing," to the center of the piece, Salvadori continues to redefine the relationship between art and viewer, and to redefine the viewers themselves.
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FORMAT: Paperback, 4.75 x 7 in. / 232 pgs / 17 color / 23 b&w. LIST PRICE: U.S. $39.95 LIST PRICE: CANADA $50 ISBN: 9788881585526 PUBLISHER: Charta/Fondazione Querini Stampalia AVAILABLE: 4/1/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2006 Page 155 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Remo Salvadori: The Observer not the Object Observed Published by Charta/Fondazione Querini Stampalia. Edited by Chiara Bertola. Essays by Maura Manzelle, Gianluca Poldi, Antonella Commellato and Giuseppe Leonelli. To leaf through this book is to journey into the world of Remo Salvadori, where reading--observing--is as intimate and creative a process as making art. The Observer not the Object Observed centers on the titular work, seminal and still resoundingly topical some 25 years after its creation: in shifting the observer, active in the experience of "seeing," to the center of the piece, Salvadori continues to redefine the relationship between art and viewer, and to redefine the viewers themselves.
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