| | PUBLISHER ChartaBOOK FORMAT Paperback, 8.5 x 12 in. / 152 pgs / 322 color. PUBLISHING STATUS Pub Date 8/15/2005 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2005 p. 134 PRODUCT DETAILS ISBN 9788881585304 TRADE List Price: $39.95 CAD $50.00 AVAILABILITY Not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | CHARTAAlfredo Jaar: The Fire This TimePublic Interventions 1979-2005Essays by Nancy Princenthal and Mary Jane Jacob.
An architect interested in ephemeral structures, a photographer who has grown increasingly suspicious of pictures, Jaar's most telling gesture is to relinquish the camera by placing it, figuratively and sometimes literally, in the public's hands. In other words, Jaar is a master of indirection. And no wonder. His work was shaped at the outset by the need to speak clearly and forcefully against murderous injustice, using language of the most lucid obliquity. Jaar's work declares that daring to connect and participate is our last, best hope.
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| | | | | | Walther König, KölnISBN: 9783753300184 USD $59.95 | CAD $85.95Pub Date: 7/2/2024 Active | In stock
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| | Museum of Contemporary Art, KiasmaISBN: 9789527067055 USD $60.00 | CAD $79Pub Date: 2/24/2015 Active | In stock
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| | JRP|RingierISBN: 9783905770483 USD $49.00 | CAD $65 UK £ 25Pub Date: 3/1/2008 Active | In stock
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FORMAT: Paperback, 8.5 x 12 in. / 152 pgs / 322 color. LIST PRICE: U.S. $39.95 LIST PRICE: CANADA $50 ISBN: 9788881585304 PUBLISHER: Charta AVAILABLE: 8/15/2005 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
| D.A.P. CATALOG: FALL 2005 Page 134 | PRESS INQUIRIES
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| Alfredo Jaar: The Fire This Time Public Interventions 1979-2005 Published by Charta. Essays by Nancy Princenthal and Mary Jane Jacob. An architect interested in ephemeral structures, a photographer who has grown increasingly suspicious of pictures, Jaar's most telling gesture is to relinquish the camera by placing it, figuratively and sometimes literally, in the public's hands. In other words, Jaar is a master of indirection. And no wonder. His work was shaped at the outset by the need to speak clearly and forcefully against murderous injustice, using language of the most lucid obliquity. Jaar's work declares that daring to connect and participate is our last, best hope.
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