| | PUBLISHER ChartaBOOK FORMAT Paperback, 8.25 x 11.75 in. / 336 pgs / 204 color. PUBLISHING STATUS Pub Date 8/2/2003 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2003 PRODUCT DETAILS ISBN 9788881584284 TRADE List Price: $49.95 CAD $60.00 AVAILABILITY Not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | CHARTAGianluigi Colin: Streets Of MemoryEdited by Moreno Gentili. Essays by Arturo Carlo Quintavalle, Gianni Riotta, Matteo Collura, Lalla Romano and Francesco Durante.
Jorge Luis Borges once said that “We are our memory, we are this dreamlike museum of shifting shapes.” Streets of Memory, created by Gianluigi Colin, is none other than the census of this universe of forms, reconstructed through performances in numerous cities: from Milan to Naples, from Rome to Buenos Aires. Photos, documents, letters and other small fragments from the sentimental sphere (but also memories hidden in the intangible reaches of the Internet) are transformed by the language of copy art from intimate shades of emotion into just as many new and extraordinary icons. What results is an archive of the signs of our society, of our truest identity--a prophetic portrayal of our existence.
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FORMAT: Paperback, 8.25 x 11.75 in. / 336 pgs / 204 color. LIST PRICE: U.S. $49.95 LIST PRICE: CANADA $60 ISBN: 9788881584284 PUBLISHER: Charta AVAILABLE: 8/2/2003 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
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| Gianluigi Colin: Streets Of Memory Published by Charta. Edited by Moreno Gentili. Essays by Arturo Carlo Quintavalle, Gianni Riotta, Matteo Collura, Lalla Romano and Francesco Durante. Jorge Luis Borges once said that “We are our memory, we are this dreamlike museum of shifting shapes.” Streets of Memory, created by Gianluigi Colin, is none other than the census of this universe of forms, reconstructed through performances in numerous cities: from Milan to Naples, from Rome to Buenos Aires. Photos, documents, letters and other small fragments from the sentimental sphere (but also memories hidden in the intangible reaches of the Internet) are transformed by the language of copy art from intimate shades of emotion into just as many new and extraordinary icons. What results is an archive of the signs of our society, of our truest identity--a prophetic portrayal of our existence.
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